Invisible Mikey: She’s OK, He’s Kinda Weird

Oliver and Lisa Douglas, and their neighbor’s son Arnold Ziffel.

In transitioning from a big town to a small town, I’ve been thinking back on the rich history of television comedies about this topic.  Comedy emerges from contrasts and conflicts. You can have stories where the main characters bring rural values to the city, like in The Beverly Hillbillies or Gomer Pyle, USMC, but it’s usually funnier the other way around.  Better comedy comes from having city folks move to the country.  The big-towners think they have life figured out, and they endure misadventures while being forced to readjust.  Viewers can delight as the artificial assuredness of the new residents is upset, their pomposity is punctured, their snobbishness skewered.

The first show of this kind that I liked was Green Acres.  In that show, which ran from 1965 to 1971, a couple from NYC buy a rundown farm in Hooterville.  Jay Sommers, the main writer, re-tooled it from an earlier radio show he did called Granby’s Green Acres.  At first it’s the husband’s idea to give up city life, and his wife doesn’t want to.  Once they arrive in the country, she decides she will do whatever she can to bring grace and culture to their new surroundings.  Eva Gabor played the wife as a glamorous ditz, sort of an upper-class, Hungarian version of Gracie Allen.  Eddie Albert farms in three-piece suits and makes patriotic speeches that cause “Yankee Doodle” to be played as underscore.  Other characters hear the music, but he can’t.

The show shared some aspects and characters from the world of Petticoat Junction, also set in the same fictional rural locales, but it was more absurd.  The main joke around which variants were created is that the residents of the Hooterville Valley live lives that follow no logical rules, yet they are happily, comfortably bound by the bizarre traditions they’ve decided to follow.  This irritates the lawyer from New York endlessly.  He’s the only character who can’t live without logic or gamely accept this off-kilter alternate world.  His daffy wife goes right along with it. read article

Ken Levine Sees LIZ AND DICK

…So we, thank God, don’t have to:

#LizAndDick: My review – by Ken Levine

Oh my fucking God!  read article

The World is Filled with Asshats

Just sayin’.

Time now for an interesting video, after which we will discuss Today’s Most Important Issue, mainly: “Who is the asshat here? Angus Jones? His parents for helping establish his career? His church for exploiting him in this vid? All of the above? None of the above?

We admit it. We kinda wish we were ’50s kids, living in a time when everything was simple and clear and black-and-white. Oh, wait… read article

DEXTER & BURN NOTICE: Fun in the Sun? Or Something Much Darker?

And now, a little overthink for those of you who prefer it when your cortexes go ka-blam!

Miami Justice: Two Sides of the Same Coin – by Ben Adams

Why do we punish? And why is it so much fun to see punishment doled out? From crime procedurals like Law and Order to superheroes dominating the box office inThe Dark Knight Rises and The Avengers, we seem to have a collective fascination with the punishment of wrong-doers. But where does the urge to punish come from? Why are we so insistent that the wicked suffer? Because that’s the key question – punishment, but it’s very nature, is generally backwards looking. Punishing the murderer doesn’t bring back the dead. What good does it do anyone to inflict further suffering, even if it seems like someone “deserves” it? My colleague Matthew Belinkie has explored the legal side of punishment at length, so I’m going to turn my attention towards the extra-legal side of punishment – the vigilante. read article

Kathy Sees Criminal Minds S8:5 “The Good Earth”

But I refuse to watch the next episode, “The Apprentice”. The premise turned me off–an unsub who mutilates puppies, then escalates to prostitutes. Um, I don’t think so.

Anyway, back to “The Good Earth”. (Synopsis here, if you’re interested.)

Hotch being…Hotch

After really enjoying “God Complex” last week, “The Good Earth” was kind of a let down. It had a huge ick factor (wood chippers are never used for actual wood chipping on this show) and it was pretty much physically impossible for the unsub to do what she was doing without hulking out first. Actually that might have been fun to see, because the rest of the show wasn’t. It had a little bit of mystery, but mostly it was about the unsub and less about the team doing their profiling jobs. The bright spot is that at least the team speculated at what she was doing before she did it, not after, as a lot of the episodes have done and I have complained about ad nauseum. read article