EDITOR’S NOTE: InkTip.Com and TVWriter™ have been associated for almost 20 years, but this is the first time the site has been reviewed here in over a decade. How’s the place holding up? Dawn McElligott tells us all about it:
by Dawn McElligott
From the “About” section at InkTip.Com:
InkTip was born in 2000 after witnessing the difficulties associates and friends in the industry have had in getting exposure for their works, let alone getting their scripts sold. The mission of InkTip.com is threefold:
- Help the producer easily find a good script
- Save time for the agent and manager in locating the right people for their clients’ scripts, or new clients
- Greatly increase exposure for the screenwriter
InkTip seems more to this writer like Q-Tip, since it has a soft touch. Wary of scams but compelled to try a service that connects writers and producers, I registered two screenplays with InkTip at the end of February. As of this writing, the loglines for my works have been viewed 50 times by producers.
To register a script, the writer completes a questionnaire so that InkTip can categorize it for prospective producers. The survey asks about the genre, possible sub-genre, locations, etc. The writer must also be able to supply proof of prior registration with a creative works protection organization such as the Writers Guild of America, in order to list a script or a book on their website, https://www.inktip.com/.
After registering a script, I received an email from InkTip about loglines. The web service has a logline lab that gives practical guidance for a crucial ingredient in marketing: the logline. Writers can easily revise their loglines, synopses and scripts at no extra charge from InkTip.
After eight production companies read my loglines and went no further, I consulted the website’s loglines lab. Revising the logline caused me to re-think the essence of my work. The experience made me feel better prepared for an eventual sales pitch.
If I had a question, I was advised to email the company’s President, Jerrol LeBaron, at email@example.com. Within 24 hours, either Jerrol or one of his employees would politely respond to my question. The website does publish a Writers’ Protocol, admonishing writers to first, wait three to six weeks before contacting production companies who’ve viewed their scripts and to do so only by snail-mail letters.
The company also advises writers to contact only those producers who have viewed their books, treatments or scripts. Contacting producers or production companies after a view limited to the logline and/or synopsis, is prohibited.
A non-refunded removal from the website is a published consequence of breaking these rules so writers are encouraged to play nice. As of this writing, at least one producer has assigned my script to a reader. InkTip notified me by email and the producer’s physical address was given.
The website states that viewing scripts is limited to members only and producers hoping to join are thoroughly scrutinized. Two of the criteria for membership as a producer are proof of funds and a perceived ability to make a film.
The website boasts that since its establishment in 2000, over 350 movies have been made through its services. The cost for listing a script is $60 for four months with discounts for multiple listings. The website also offers many other goodies, such as listings of networking events.
Receiving worldwide exposure from vetted producers makes InkTip.com a sound investment. Being treated politely and fairly will keep me coming back.
Dawn McElligott is a an award-winning writer and filmmaker in Los Angeles by way of Philadelphia and other points East. You can learn more about her HERE