What I’ve learned from the sales of ‘How to Write a Novel’

The writer Nathan Bransford talks about something every writer needs to understand: Book sales.

Yes, even if you write for TV cuz…audiences is audiences, dig?

by Nathan Bransford

howtowriteanovel (1)One of the best parts about self-publishing is getting nearly real-time data on how and where your book is selling. I’m not one of those writers who feels comfortable posting my exact sales and royalty figures online, but I’m seriously thrilled with how How to Write a Novel is doing and thanks to everyone who has snagged a copy! read article

Famous Writers Who Hate Writing

by Bill Cotter

Sometimes I hate writing. That’s not to say I hate the writing of others, though I occasionally do, and that’s not to say I hate my own writing, though I often do, but rather that I sometimes hate the commission of the act of writing. I hate it when I have nothing to say, which is most of the time, or when I think I have stuff to say but the words are clogged at the nib, or when the ink flows freely but lands on the page in impotent smears, or when the words ring like bells but the sentences flop like flagstones in the mud, or when the paragraphs flare but the chapters fizzle.

i-hate-that-poem-300x300I also hate writing when I have better things to do. Doze, eat cheese and crackers, solve easy Sudoku puzzles, shop for books on the Internet, doze some more. I’ve concluded that even some unpleasant chores are less hateable than writing. Cat box cleaning, evacuating the hard drive of viruses, defeating drain clogs. Sometimes I feel like I would trade a writing obligation for a trip to the emergency room for stitches. More than once I’ve promised the gods in their pantheon a year of my life if they would get me out of a writing commitment.

I am not alone in my dark feelings, of course. Most writers, if not all, whether professional, recreational, or scholastic, hate writing at one point, or, in some cases, every point, in their careers, and their attestations to this can entertain, nonplus, horrify, and occasionally provide comfort to the writing-hating writer. For fun, I’ve provided below a small selection of quotations by well-known writers at odds with their business, which I hope the reader will find profitable, instructive, and cautionary. read article

Love & Money Dept – TV Writing Deals for 4/10/14

Latest News About Writers Who Are Doing Better Than We Are=&0=&(SPOOKS) are developing a drama series called HUMANS for – wait for it – XBox! It’s all about a parallel universe where humans use highly developed robot servants and the moral, ethical, and just plain dangerously real problems the situation creates. (A slavery parable, kids? Possibly. And also the prequel to BATTLESTAR GALACTIC that should have been. ) Rob McElhenney, Charlie Day and Glenn Howerton (IT’S ALWAYS SUNNY IN PHILADELPHIA) have a new 3 year deal with FX Productions. (And not only does it give them all kinds of development ops, it also renews IASIP for 2 more years and picks up their new Tracy Morgan comedy series as well. (Congrats, guys. Hey, remember how great I was when I guested on Philly?Wouldn’t this be a terrific time to, you know, lock me into your new show?) The Weinstein Company has a new deal with Gannett giving the Weinsteins the rights to develop TV projects based on anything in Gannett newspapers, TV stations, websites, etc. (Which means – and this is confidential, just between us – that our Beloved Leader, Larry Brody, is sitting with his fingers crossed that somebody at Weinstein tries to develop LB’s old Gannett newspaper column, Live, from Paradise, into a series. But is that cuz he wants to see it on the air or cuz he wants to sue their butts off since Gannett never bought those rights from him? Whatcha think, fellow idealists?)

Leesa Dean: Adventures of a Web Series Newbie

how-to-be-awesomeChapter 53 – More on the Tween Front
by Leesa Dean

So I met with Kai yesterday. I’ve been SO busy, working till midnight most nights animating and in post, working on THE TOP SECRET project, but had promised him we’d get together to discuss the project we’re doing.

Before we got into it, we discussed the Disney buying Maker for $500 million news and, on the heels of that, AwesomenessTV buying Big Frame for $15 mil. Big Frame has more than 300 creator-run YouTube channels and more than 3.6 billion views to date. And it’s projected that together, AwesomenessTV and Big Frame will deliver 80 million subscribers and nearly 1 billion views a month.

Maker is huge and much bigger than Big Frame, but Big Frame has a couple of hit shows like DeStorm Power and Squaresville. AwesomenessTV, the digital media arm of Dreamworks Animation, was created by Brian Robbins, who’s an actor (among other things, he starred in Head of the Class), director and producer whose focus is mainly, you guessed it, tweens. Did a mention AwesomenessTV is also now a tv show on, where else, Nickelodeon. read article

What Should Critics Look for When Analyzing TV Shows?

The New Yorker is now in the business of analyzing the process of, erm, analyzing, and the result is this latest foray into that particular area, which we here at TVWriter™ find absolutely fascinating in an overthinker’s ultimate overthinking sort of way:

NitpickingVAHIERS DU BUFFY
by Emily Nussbaum

A few days ago, the critic Matt Seitz wrote a valuable, provocative, and deliciously finger-jabbing manifesto, arguing that TV and film critics concentrate too much on plot and character and theme and don’t write enough about visual craft. This is true. It’s certainly been true at times in my own television criticism, although I could defensively point to counterexamples as well, as one does when jabbed. The challenge Seitz sets forth is particularly timely this year, because there’s been an amazing influx of film directors into television—and this cohort has begun, slowly but surely, to warp the medium’s writer-on-top traditions. On shows ranging from Jane Campion’s “Top of the Lake” to Mike White’s “Enlightened” and Brian Fuller’s “Hannibal,” creators have been breaking the rules of what TV is “supposed” to look like.

Here’s Seitz’s nut graf: read article