LB: TVWriter™ Online Workshops for January 2015

lbwriter

This went out to everyone on the TVWriter™ email list yesterday. But since a few of you don’t subscribe (you can fix that HERE), I’m posting it here as well.

And in this version I actually get the year right. read article

Why So Many Writers are Working in Both TV and Theater

Hint: It’s the money in one of those media and the freedom in the other. Can you guess which is which?

moremasksby Michele Willens

Aaron Sorkin is reportedly preparing to do his play A Few Good Men, live on NBC. Larry David is curbing his TV enthusiasm and is in rehearsals for his first Broadway show. Tina Fey honed her skills on Saturday Night Live and 30 Rock,but is now creating a stage musical. The director of Birdman is working on his first American TV series—and has hired a room full of playwrights. Never have writers moved between television and the stage so fluidly. The reasons? For hungry playwrights, TV presents financial offers difficult to refuse, and the medium grows more prestigious and creative every year. And for TV writers used to the difficulties of collaborating on a script, the theater offers them a chance to have the final say on their own words.

The list of those going back and forth between mediums is long and growing. Ken Levine (Cheers,M*A*S*H) just had a run of his play A or B at the Falcon Theatre in Toluca Lake. Joel Fields, an executive producer of The Americans, co-wrote the revival of Can Can for the Paper Mill Playhouse in New Jersey. Sarah Treem, one of the creators of The Affair on Showtime, wrote the recent off-Broadway play When We Were Young and Unafraid. Warren Leight, a producer on Law and Order, writes plays on hiatus. Scott Carter, executive producer of Bill Maher’s talkfest on HBO, wrote Discord: The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy, which was a hit at the Geffen Playhouse in Los Angeles. read article

Love & Money Dept – TV Writing Deals for 1/7/14

TOSHIBA Exif JPEG

Latest News About Writers Who Are Doing Better Than We Are=&0=& (WITHOUT A TRACE) has sold a spec script, HIGH PROFILE, to ABC as the pilot for an FBI drama about “a nationwide unit dedicated to investigating “crimes of the century.” (So if my knowledge of what a century is, is right, this’ll be one episode and out? Cuz you can’t have more than one “crime of the century,” can you? Or am I being too…you know, smart here?) =&1=&(writer of several unsuccessful Fox pilots but who wants to dwell on that?) is writing HBO’s DIVORCE, a comedy about, yeppers, you’ve got it, one of the funniest things that can happen to any married couple – the agony of divorce.  (Kee-rist, I’m sitting here laughing fit to bust just typing this. Ha ha ha, divorce! Ha, ha, ha divorce! I’m gonna have to get married and then booted out just so I can fully appreciate all the fine points of this brilliant idea.)

That’s it for now, munchaladas. Don’t forget to write in and tell yers truly what you’ve sold when you sell it. Cuz TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)

Cara Winter: Anglo Files 10

idris-elba

On Bond
by Cara Winter

When the Sony hack revealed that Idris Elba was being bandied around to take on the role of James Bond… first I screamed, “They stole my idea!”  …and then (naturally) I realized that this is just a good idea, an idea whose time has come.  And Elba happens to be the right actor at the right time, with the right emotional, physical and psychological makeup to play the role.   (So… Sony, if you’re downloading my thoughts, which it appears you are… download my inner “Bravo!”  and continue to run with it…)

After I read this very cool (if, ah-hem, obtained illegally) “news”, I started wondering what the “reaction” from “ordinary people” would be, on the internet.  Overwhelmingly, from what I’ve read, people are enthusiastic.  People are psyched.  They are totally ready for a black James Bond. read article

Web Series: BAD TIMING

Bad Timing Capture

Now this is fucking hilarious:

by Goldentusk