How our fellow creatives, in this case cartoonists, see those of us who toil in the vineyards of various and sundry media – including not only TV but also cartooning itself.
Paul Fell comments on an extremely toxic part of the world we’ve built.
Actor/writer Irene Tsu has made her mark.
On television, the stage, and film, and behind-the-scenes, Tsu has stood firm on principle. With versatility and an upbeat perspective, she remains fearless in her life pursuits and experience of happiness.
Cultured, educated, and talented, she continues to revel in a remarkable life and career. And she’s chronicled it all in a compelling memoir: A Watercolor Dream: The Many Lives of Irene Tsu.
We like the idea of regarding the clients as freelancers instead of looking at ourselves that way. After all, we’re the human beings who are continuously working with (never say “for!”) our clients, right?
Just our way of saying “Hold your head high!” while you read on.
Nathan Bransford, TVWriter™’s favorite publishing know-it-all, gives us advice that most writers for all media and genres desperately need. This time around he talks about the importance of properly setting your scene
Writers often don’t pay quite enough attention to how they start their chapters.
Woah! Who says we creatives aren’t important? We’ve got a whole economy named after us. And baig tech companies are fighting to shell out $$$ to us?
Oh, Lord, please let this article be real!
Katie Feeney, an 18-year-old from Olney, Maryland, was in her calculus class on Zoom in November when she learned that a week of posting skits and unboxing videos on Snapchat (SNAP.N) earned her $229,000. Her $1.4 million in total earnings over the past seven months will be enough to pay for her college tuition at Penn State to study business.