Bri Castellini: 2019, Noticed – @brisownworld

by Bri Castellini

Been a while! I foresee a handful of New Years Resolutions not being fulfilled this year, because this year has been… unexpected.

Last year was insane for me, one of the busiest years I’ve ever had, one of the most creatively rewarding, and one that I felt very strongly about not repeating right away. “2019 will hopefully be defined by boundaries and balance,” I stated in a blog at the end of last year. I even made my work Slack status “Boundaries and Balance 2k19” for a while, because branding is important.

And then 2019 actually started and I remembered that I’m me and that’s not how things tend to go in my life.

Work/Life Imbalance

First off, I really stepped up the #WorkTripLyfe, traveling out of state twice a month for all but one of the first few months of the year. I started my year in LA and went to DC for a week in January, traveled to LA again and Oregon for the first time in 5 years in March, headed to Massachusetts and DC again in April, spent two weeks in Utah in May, and spent a long weekend in Denver in June.

And that’s far from the end of my traveling year- I’m likely heading back to LA in August and I’ll be in Colorado for a few weeks at the end of September and beginning of October. Then my cousin is getting married in San Diego in November and I’ll be heading back to Colorado for Christmas in December. Like, damn. So already, my balanced year of relaxation and writing has gone a bit awry.

Then, some work things happened that put me in a new financial freakout (I have one of these every two years, apparently), resulting in some shifts in expectations for what my employment situation will be moving forward. I’m still working with Stareable but on a more freelance, remote basis, and am filling in my work week with a new part-time gig with Seed&Spark and potentially a new teaching position, both also remote and freelance.

Stareable no longer has a physical office space, at least for the time being, and as a result I’m now 100% working from home (outside of traveling for events or being on hand for local events, like Stareable Fest that’s happening NEXT WEEK!). This has been a strange but unexpectedly welcome change to my routine- as much as I liked going into an office and building a day-to-day around picking podcasts for my commute and a new regular coffee spot, I didn’t realize how much of my day I was losing as a result.

I now have more time to work out in the morning without worrying I’ll miss my train, I spend less on transportation and coffee, I have more energy and time at home to help with chores and cooking, and I get to fully control and customize my work weeks without worrying where I am physically, which is useful particularly because Quinn and I plan on moving in the next year or two and it’d be great to be able to not have to job hunt.

Adjusting to life as a fully remote freelancer has been a full time job in and of itself- I have to find ways to motivate myself despite my new desk being in my bedroom, aka the room with my bed that I use to watch old Fallout 4 playthroughs. I also have to force myself to get up at the same time I used to, because I’m trying to swap the time I used to commute for working out. It’s not an understatement to say that I’m dangerously unhealthy, and I’m running out of good excuses to stick with that status quo.

Creative Successes

Creatively, this year has been amazing, if busier than anticipated. In January I accepted a job directing a web series for a female-led production company out of Utah run by two long-distance friends, Amanda and Kailee.

In May, they flew me out and put me up and we shot 7 episodes of a show called Better With You, a Halloween rom com that will be the most ambitious and beautiful thing I’ve gotten to be a part of. It’s the first project I’ve directed without also writing, the first full web series I’ve gotten to direct, and the first time working with a crew larger than three people. It was the best.

We also launched Sam and Pat season 2 this year, alongside two seasons of the Bri and Chris Are Depressed companion podcast, both receiving small but dedicated audiences. The Bri and Chris podcast has two more weeks of episodes to go up, and then…

Burn, Noticed

I made a joke on Twitter back in February about starting a podcast called Burn, Noticed, and then couldn’t stop thinking about how stupid and funny that would be, and then bullied Chris Cherry into co-hosting it with me.

I’m glad it worked out, because we’ve now recorded five episodes and I’m genuinely enjoying revisiting one of my favorite procedurals as well as deconstructing television on a regular basis with my most frequent writing collaborator. Plus, Chris is moving to LA in late August and this is a good excuse to keep in touch and continue creating together.

Burn, Noticed will launch the day Bri and Chris Are Depressed season 2 ends, meaning that I’ll have been releasing new creative content at least once a week since the beginning of March, which is a first. There was nearly a year between Brains seasons 1 and 2, then a few months after season 2 before Ace and Anxious was released, then another few months before the extended universe projects premiered, then nearly another year before Sam and Pat and ANOTHER year before Sam and Pat season 2.

I like podcasting because it’s a significantly lower-budget and lower-effort way to continue to be creative on a sustainable basis, which is important because if it’s going to be a while in between major film projects, I need something to keep my brain creative and my audience aware of my existence. I have over 1,000 Twitter followers after all. I have a RESPONSIBILITY.

Jokes aside, Burn, Noticed has genuinely been a thing I look forward to every week, and has been surprisingly useful in keeping my storytelling muscles toned. I hope people listen to it, because it’s also a pretty good show outside of a good thing for me as a person and creator to work on.

Bri, Burned Out

As you might imagine, a second year of rushing at breakneck speed to do as many things as possible is starting to wear on me. I’d like to think post-Stareable-Fest will be more chill, but I’d like to think a lot of things that aren’t realistic.

I’m staring down the barrel of four part time jobs in the fall, plus more traveling and work events and Better With You premiering in September and Burn, Noticed needing to go up every week and Buy In continuing its festival run.

The only solution I have currently is a highly specific weekly schedule I’ve made for myself that creates structure and uses my new working-from-home existence to reprioritize my health and the boundaries that will keep me sane and productive.

Will it work? Time will tell. But I’m really excited for all these new projects and work opportunities and now that living in New York has an end in sight (either mid-2019 or early 2020), I have hope that this unexpected non-break of a year might go my way after all.

Or I might have a massive breakdown like I did last year! Time will tell.

Bri Castellini is an indie filmmaker and Community Director at Stareable, our favorite web series hub. Watch the remarkable Ms. Castellini’s award-winning web series, Brains, HERE. See Sam And Pat Are Depressed HERE. This post first appeared on Bri’s wonderfully refreshing blog.

A Beginners Guide to Cord Cutting

Because you asked for it! (You did, for reals. This TVWriter™ minion knows for a fact that we received at least one FB message from my mom.)

Here’s the sort of official guide to getting started at cord cutting. The Cord Cutters News way.

You can find Cord Cutters at:


Stephanie Bourbon’s TV Writing Tips to Help You Succeed!

Stephanie Bourbon is the most watchable writing guru on YouTube today…and her tips are solid, helpful, and mostly painless as well. Don’t believe us? Take an eight and a half minute look and learn what you need.

Stephanie’s YouTube Channel is HERE

Former Larry Brody student Stephanie Olivieri Bourbon has found great success as a writer and illustrator. Now she’s branching out into video with a series of extremely helpful ones about – surprise! – writing and illustrating.


Looks like we at TVWriter™ aren’t the only ones lovin’ on TVWriter™ alum writer/editor Herbie J Pilato’s new Amazon Prime series Then Again with Herbie J Pilato. Here’s one of the most enjoyable articles we’ve read in a long time.

Go Herbie J!

by Nicholas Varies

Amazon Prime has recently become home to Then Again with Herbie J Pilato. Hosted by Herbie J Pilato (a prolific historian of popular culture), each episode is a discussion with legendary figures of television and film about a specific show. The first season is still rolling out on Amazon Prime but it will have three episodes dedicated to old school science fiction, fantasy, or related genre shows. Of these three specific episodes, one features Lara Parker, Kathryn Leigh Scott, and David Selby of Dark Shadows (1966 – 1971); another stars Robert Conrad of The Wild Wild West (1965 – 1969); and the third features Burt Ward of Batman (1966 – 1969).

More Than Nostalgia: Understanding Entertainment Escapism

One of the many things that stood out to me about this series is that in an era of never-ending reboots and sequels, fans rarely get a moment to reflect on and thoroughly explore what shows in the 1960s and 70s were like. In addition to Then Again with Herbie J Pilato offering a nostalgia trip, it is also dedicated to exploring why certain television programs have stood the test of time. As Herbie J Pilato explained, “Beyond the homespun/nostalgic element of classic TV shows, there is a certain clarity in their presentation. The storytelling has a beginning, a middle, and an end, and most of those endings are happy. The characters are more distinguished from one another; more defined. They don’t all look alike, sound alike, or act alike, which is the case with much of new TV shows. The majority of classic TV characters are not sarcastic, mean-spirited, or edgy, as they are today. And when it comes to the actors and their performances on the classic series, the likability factor is huge.”

Building on Pilato’s words, Joel Eisenberg (one of Then Again’s executive producers) added that the show’s that Pilato is covering have remained important because they represent pure escapism that many wanted in entertainment during the 60s and 70s. “The shows we feature from our first season were from the 60s and 70s. Turbo-charged times that called for escapism in its entertainment,” Joel explained to ScifiPulse. “The shows we’ve featured still stand out as they remain some of the most purely entertaining shows on TV.”

Read it all at

The Future of Showbiz is, um, “Aural”

Yeah, that’s it, baby. Aural, as in “of the ear.” Whether you call them audio series or audio dramas or entertainment podcasts, scripted series of the type that once dominated the airwaves way back when your grandparents were kids are in the midst of a rebirth, and we’re glad to see it.

Podimo raises 6 Million euros to become Europe’s ‘Netflix for podcasts’
by Steve O’Hear

Podimo, a Copenhagen-based startup building what it hopes will become Europe’s “Netflix for podcasts,” has raised €6 million in seed funding prior to launch. The round is co-led by Germany’s and Denmark’s Heartcore, reflecting the young company’s two planned country launches later this year.

Founded by Morten Strunge, who has a track record in subscription media products via audio books service Mofibo (which he sold to Storytel), Podimo  is hoping to capitalise on the rise in consumption in podcasts. Ambitiously, this will include both a free and paid version of its product, with the aim of creating a reliable revenue stream for podcast producers. The startup’s other founders are Nikolaj Koppel, Andreas Sachse and Sverre Dueholm.

“Podcasts have finally come of age and we are seeing a lot of demand for audio content globally across many different demographics,” Strunge tells me. “Consumers are increasingly looking for premium, ad-free services and we see a huge potential in the podcasting space.”

The Podimo app has been designed to provide a “superior experience” in discovery and recommendation compared to existing podcast streaming and download services. The idea, says Strunge, is to make it as seamless and easy as possible to find your next podcast.

“We believe that with the fast increasing amount of podcasts available, curation and discovery becomes more and more important to both unfold content in a relevant context and to the right individual user, which will benefit both podcast creators and consumers,” he says.

By launching a freemium model, where a paid version provides unlimited listening and features, Strunge believes there is an opportunity to work closely with podcast creators to strengthen the podcast ecosystem and make it less reliant on advertising revenue. “We want to become the preferred partner for creators, by both working closely with their content, curate and match it with each individual user, but also by offering a superior monetisation model,” he explains….

Read it all at

Are you writing a podcast series? The PEOPLE’S PILOT 2019 Spec Pilot Competition wants you!