Diana Vacc Sees HUNGER GAMES – MOCKINGJAY, PART 2

by Diana Vaccarelli

hbt11-198x300The finale of the Hunger Games Franchise starts right where we left off. Katniss Everdeen (Jennifer Lawrence) is the leader of the rebellion against the oppressive Capitol of Panam. She has sustained major injuries at the hand of an ally the Capitol has corrupted. The rebellion is building and she has to lead in her persona of the Mockingjay, with everything Katniss loves hanging in the balance.

Gosh, it doesn’t get any more exciting than that, does it, revolution fans?

The Good: read article

The JESSICA JONES Review You’ve Been Waiting For

Martha Thomases is one of the most open writers on the interwebs. This TVWriter™ minion not only respects her, I also have kind of a little crush because of reviews like this one (even though she says it isn’t a review at all):

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Trigger Warnings! Beware
by Martha Thomases

Like the dweeb I am, I spent last weekend watching television on my computer. First (because I’d already seen the first two episodes), The Man in the High Castle on Amazon Prime, and then Marvel’s Jessica Jones on Netflix. I suppose there might have been other things to do for two days, but all of them involved wearing pants. read article

Current TV Shows LB is Now Giving Up

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by Larry Brody

The latest list of series I’ve recorded the latest episodes of but know damn well I’m never going to watch:

  • DOCTOR WHO
    When Russell T. Davies brought back DOCTOR WHO 10 years ago the Doctor was a hero who took as much delight in being in danger as he did in extricating himself and others from it. Under Steven the Imposter Moffat the Doctor became, first, a self-doubting human-like fool, and now, a true villain who destroys everyone with whom he comes into contact. I love Peter Capaldi as an actor but won’t watch the show again till the Moff’s been replaced by a real showrunner who knows what the gig’s all about.
  • BONES
    This cute romantic buddy show has aged into one in which star David Boneanaz has aged into a new personification of the role that made him famous. No, I don’t mean Angel from the show of the same name, I mean Angelous, Angel’s dark side. This is what happens to formerly nice people who become producers, whether they start out as actors, writers, or lovers.
  • THE LIBRARIANS
    I tried, really I did, but if I wanted insipid pseudo-science adventures about ancient, magical artifacts, I would have watched WAREHOUSE 13. And THE LIBRARIANS, unfortunately, is an even weaker version of the same premise, proving that TNT makes even worse sci-fi than SyFy.
  •  SCORPION
    The stupidity of this series’ action-packed yet purely technological MacGuffins and the absurdity of its premise that high I.Q.s are what define genius and all geniuses have the most obnoxious forms of Asperger’s Syndrome have combined over the past year and a half to create genius-level boredom. The show has been pure self-parody since halfway through the pilot, and although I wanted to believe that was deliberate, I’m sad to say that I can’t fool myself anymore.
  • NCIS
    I discovered NCIS while recovering from a heart attack and accompanying surgery. Now, after seeing almost 13 full seasons I finally have healed enough to realize that as much fun as this series’ ’70s TV-like presentation can be, its gung-ho chauvinism and repetition of the same 2 plots week after week have severed its spine…which ain’t easy considering that it was made of jello.

And here’s a special bonus disappointment currently on Netflix:

  • LAST TANGO IN HALIFAX
    This BBC loser started off as a serious drama about something to which I totally related: Romance and the rediscovery of what’s important in life at an age when most people are just sitting around and waiting to die. I identified with Derek Jocobi as the male lead, Alan (even though both the actor and the character are substantially older than I am), and my wife felt the same about Anne Reid’s female lead, Celia. But at this moment, with 3 episodes left to watch in the third series, I’ve had it with the weak, self-pitying men and strong but catastrophically rigid women. All the characters keep on making the same mistakes, over and over and over, and I’ve written – and maybe lived – enough soap opera to never be able to put myself in a place where I can enjoy it.

That’s it for now, kids. Off I go to spend a few pleasant moments of pushing, “Delete, delete, delete….” read article

Diana Vacc Sees Wicked City

Nope, this isn't a pic from the TV series. It's from a review of an anime by the same name we found at Brandon's Cult Movie Reviews.
Nope, this isn’t a pic from the TV series. It’s from a review of an anime by the same name we found at Brandon’s Cult Movie Reviews.

by Diana Vaccarelli

Wicked City is a classic story of a man looking for love…or it is it? The thriller opens up with Kent Galloway (Ed Westwick) hooking up with a young girl on the Sunset Strip in the 1980’s.  

When Kent can’t perform sexually, he pulls out a knife and stabs the woman to death, at which point enter Detective Jack Roth (Jeremy Sisto) to investigate the murder. From there on you get a classic cat and mouse game, but, sadly not one nearly as interesting as in, say, Criminal Minds.

The Good: read article

Forgotten TV Gems: HE & SHE

HE AND SHE Capture 1

by Lew Ritter

In the late ’60s, three networks ruled the airwaves. The Internet and Streaming were not even a gleam in a Sci-fi writer’s eye. Network comedies consisted of rural comedies filled with country bumpkins outsmarting the bumbling city slickers. A big star dominated every show, their gleam illuminated by contrast with a few minor character actors.

In 1967, in the midst of this drought, CBS programmed HE & SHE into the middle of their hit Wednesday night lineup of shows including highbrow fare such as THE BEVERLY HILLBILLIES and GREEN ACRES. It would be a smart urban comedy surrounded by the bucolic waste land. It proved to be the proverbial fish out of water, but only lasted one season.

The brilliance of the show was in three areas: read article