Diana Vacc Sees VACATION

vaca movie poster number 1by Diana Vaccarelli

The Good:

  1. The chemistry between Ed Helms and Christina Applegate was fantastic and laugh out loud funny. Everything overall about this film was fantastic and nostalgic.
  2. Although this is a sequel of sorts to NATIONAL LAMPOON’S SUMMER VACATION, there’s absolutely no sign of Chevy Chase in it anywhere.

The Bad:

  1. There was nothing at all bad about this film.
  2. Really, there wasn’t.
  3. I mean it.

Conclusion: read article

What ‘Agent Carter’ has that ‘Marvel’s Agents of S.H.I.E.L.D.’ Doesn’t

…And why it matters:

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by Andrew Bloom

While watching the first season of Agent Carter, I couldn’t help but wonder why I enjoyed it so much more than Agents of S.H.I.E.L.D., its much maligned and mildly resurgent Marvel television counterpart. Although the two shows have different teams behind them, they are, nevertheless, small screen cousins, with Peggy Carter making more than a few flashback cameos on AoS. The two series would seem to have too much shared DNA for anyone to have such different reactions to them. But in investigating this mystery, I kept coming back to one, overwhelming factor – Hayley Atwell.

Atwell soars as the protagonist of Agent Carter and commands nearly every scene she’s in. She portrays the titular character as a woman of quiet strength, with a steadiness in everything she does despite the tumult that surrounds her. But Atwell’s take on the character transcends the trope of the typical “action girl”, instead making Peggy a fully realized, three-dimensional character. Atwell acquits herself well when Peggy is exhibiting a steely resolve in a tense situation, and can just as convincingly show the character’s vulnerability and empathy in a private moment, with each emotional state feeling genuine and inhabited. She brings an undeniable presence to the character, and her rising tide lifts all boats in the series. read article

Dennis O’Neil: Our Superhero Posses

Flash-Arrow-Supergirl-Archieby Dennis O’Neil

Time was when superheroes operated pretty much alone, or with a sidekick, who could be anyone from the original Green Lantern’s cab driving Doiby Dickles to Batman’s intrepid though preadolescent Robin. Oh, there were other continuing characters in your basic superhero saga – think Jimmy Olsen and Commissioner Gordon – but when it came to doing the daring deeds the folk in the costumes usually flew solo.

Then things evolved and –

Almost certainly, a lot more people will see Supergirl on television this week than ever read one of the Maid of Might’s comic books. She’s plenty super – give her that – and as bonuses, attractive and charmiing, but she doesn’t fight evil by herself. No, she’s allied with a brainy group of colleagues who hang their doctorates in a secret lab. And if we scan the videoscape, we see that Supergirl has peers. The other two television title characters most like their comic book inspirations, Arrow and the Flash, also have lab-dwelling cohorts who can always be depended on to have the information the good guy/girl needs. read article

Diana Vaccarelli Sees QUANTICO

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by Diana Vaccarelli

QUANTICO is a show full of conspiracies. It also is a new series with lots of buzz. What made me look forward to the show the most was the conspiracy angle. I love shows with twists and turns that shock the audience.

The first episode begins with a terrorist attack even more horrifying than 9/11. We focus on Alex (Priyanka Chopra), as she awakens in a pile of rubble that once was New York’s Grand Central Station. As she picks herself up off the ground, the show flashes back to her attending the FBI academy in a class of new recruits.

The story then quickly flashes forward to the scene of the attack where Alex is helped into a building and starts being questioned. She is being treated as a prime suspect in the crime and realizes that it’s time to get out of Dodge. read article

John Ostrander: A Good Penny (Dreadful)

penny-dreadful

by John Ostrander

I usually don’t watch horror films or TV shows, and that might surprise some people. After all, I’m known to have written some horror stories, such as DC’s Wasteland. My standard response is that I would rather give nightmares than get them. A bit flip perhaps, but largely true. I have an active imagination (from which I make my living) and the concepts and images from a horror story can stick in my head long after I’ve seen the show.

For example, I went to see The Exorcist when it first hit the movie theaters and, oh my, it played heavily on the atavistic fears of my Roman Catholic altar boy choir boy upbringing. I slept that night with the lights on despite being of college age. Actually, I was in bed but I didn’t sleep that much. Part of me was convinced that the ol’ debbil was gonna git me.

This is an explanation of why I didn’t watch Penny Dreadful when it first showed on Showtime. Recently, however, I got a chance to get caught up with the first two seasons. I didn’t binge watch them; the most I could take was two episodes at a sitting. I found them too unsettling. read article