More Aliens than Asians on Screen: White-Washing Ghost in the Shell

by Kathryn Graham

This month, Ghost in the Shell will be released with Scarlett Johansson, a white actress, cast as Japanese character: Major Motoko Kusanagi. This is a process known as ‘white-washing’: Hollywood’s long-standing racist practice of casting white actors as characters of color.

In the 1930’s, we had ‘yellowface’: ‘Predictably, Asian Americans actors would spend most of the war years cast as sinister Japanese, often in films now viewed with some embarrassment. There were still “good Asian” roles being written–but they were restricted to Caucasian actors while Asian Americans played the villains.’

In 2017, we have white-washing, which is not the same thing, but still casts white people in roles that should have been Asian roles. The result: there are almost no roles for Asians on screen even in stories where the characters in the source material were Asian. read article

TVWriter™ Don’t-Miss Posts of the Week – March 20, 2017

Time for TVWriter™’s  Monday look at our 5 most popular blog posts of the week ending yesterday. They are, in order:

Looking for TV Pilot Scripts? read article

Ethics in TV Storytelling from ClexaCon: Part II

Ethics of Storytelling at ClexaCon: Continued from Part 1 

About that writers’ room, how does that factor into ethical storytelling? What is the role of a showrunner? How much do an author’s intentions and opinions matter? And is anyone on TV writing queer female characters ethically? read article

BritBox is Here!

by TVWriter™ Press Service

Netflix, Amazon, you guys over there at Acorn TV, brace yourselves because BritBox is here!

BBC Worldwide, U.K. TV giant ITV, and AMC networks have launched subscription VOD service BritBox in the U.S. with a price tag of $6.99 per month after an introductory free trial period. read article

Ethics in TV Storytelling from ClexaCon

A Report on ClexaCon, Part 1
by Kathryn Graham

When you sit down to write a story, have you ever thought about whether or not you’re telling it ethically? I don’t mean does it have a lesson at the end. I mean, do you think about your characters, who you’re depicting, and if you might hurt real live people in tangible ways if you screw it up? I mean, is that really a thing? It’s ‘just a story’, after all.

The panelists at ClexaCon’s Ethics in Storytelling panel have a lot to say about that, and they’re here to help you make better decisions in your stories (and just be really damn smart in the process). read article