Why is Everybody Hating on Doctor Dolittle?

Marketers control the world these days…at least that’s how it often seems. Here’s a marketer’s perception of the failure of the latest version of Dr. Dolittle to grace our local cinema’s. And not just any marketer, Seth Godin, whose wisdom in the eyes of this TVWriter™ minion knoweth no bounds.


The Dolittle effect

Why is the new Dolittle movie so bad? Savaged by critics and viewers, it had:

  • One of the most bankable movie stars in the world
  • A story that had previously been the basis of two hit movies
  • The best CGI houses in the world
  • Unlimited time and money

I think the best way to understand why it failed is to look at the reasons above. Ironically, it’s these assets and lack of constraints that created the circumstances that allowed the movie to become a turkey.

Too many meetings.

Too many self-important voices around the table.

And most of all: No one who cared enough or was bold enough to stand up and say, “no.”

That would have been enough. If at three or four critical moments in the development of the project, someone had stopped the assembly line until the work was good enough to proceed, everything would have been better.

Sometimes, the investments we put in place to avoid mediocrity are the very things that cause it.


Don’t just sit there marveling at how much a showbiz non-pro knows about Hollywood. Instead, click on over to Seth’s Blog and see what else he knows and is so willing to share.

Cartoon: Mental Space

TVWriter™’s all-time favorite artist/philosopher, Grant Snider, tells us every creator really, really, really wants, and, perhaps more importantly, what we/they really need.

We love the fact that this is a cartoon containing words that genuinely deserve to be remembered.


See more of Grant Snider’s extraordinary perception of human creativity at Incidental Comics, HERE

Buy Grant’s new book, What Color is Night? at Amazon.Com!

How to Work From Home and Actually Get Stuff Done

Home office writers of the world, unite! We have nothing to lose but our relationships, families, and sanity…oh, and our freelance gigs. Here are some suggestions about how to work from home and not mess things up. Well, not mess them up too badly anyway.


by Jill Chafin

Although working from home sounds lovely and relaxing, it has its own set of challenges. You need to be diligent about scheduling or risk getting distracted. Here are some easy steps for boosting your productivity.

Structure Your Day

You’re forced into a structure when you work in a traditional office environment. You have to get dressed (properly), commute, and attend meetings. You have the pressure of working around colleagues and you have defined times for starting and ending work.

It’s harder to implement structure when you’re on your own. However, creating a solid routine is key to being productive.

  • Wake up at a designated time: Just because you work from home doesn’t mean you should keep hitting snooze. One thing successful entrepreneurs have in common is that they get up early. Don’t let those productive hours slip by!
  • Get dressed: This will help switch your mindset to “work mode,” making you feel more productive. Resist the urge to work in your PJs: take a shower and fix yourself up, even if no colleagues will see you.
  • Do some work before breakfast: The usual recommendation is to start with a healthy breakfast, to fuel you for your busy day ahead. However, when you’re home all day, breakfast can be a drawn-out luxury, with reading, checking social media, and other distractions preventing you from getting started. Try diving into a quick work task, checking it off the list, and then sitting down to breakfast.
  • Prep meals in advance: Try prepping your breakfast and lunch the night before. Avoid the kitchen during your work day—you’ll be tempted to cook elaborate meals or waste time mopping the floor.
  • Eat in a separate space: Take your meal breaks away from your office—outside if possible. Pause all work activities, switch your phone to silent mode, enjoy the fresh air, and let your mind reset.
  • Exercise: One great thing about working from home is flexibility. Hit the gym early, do a YouTube yoga class from the comfort of your living room, or go for a quick run if you’re feeling stuck or need a mid-afternoon boost….

Read it all with lots more bullet points and other good stuff at lifesavvy.com

How to choose an agent

The TV (and film) writing agency situation remains in flux, with the biggest agencies refusing to budge from the positions that started the whole mess, and as a consequence the WGA has been doing all it can to help writers represent themselves safely and knowledgeably.

Eventually, things will sort themselves out, but until that time “due diligence” is the order of the day. Know all you can about the talent agency biz people! Learn how to tell good agents from bad, if for no other reason than to make sure you are the best agent for yourself that you can be.

Here at TVWriter™ we believe the following article is a good place to start your education.


How to Choose an Agent Amid Competing Offers
by Barbara Poelle

I received an offer of representation for my young adult novel. When I notified the other agents who had the full manuscript that I was withdrawing from consideration, I got an additional five offers! What would you advise I ask of the offering agents in this situation?

Sincerely,

Full Dance Card

Dear Happy Dancer,

Well, first of all, if I am one of the offering agents, I advise you to pick me. I am delightful.

But really, thank you so much for this question, because this happens more often than most authors realize. When multiple agents make an offer on the same manuscript, there are indeed several questions you should ask the offering parties, and yourself, in order to determine which one might be your best match.

I should note for others here that these questions should also be considered even if only one agent is offering. After all, an offer isn’t an obligation—it’s an invitation, right? So invite them into a conversation!

First, let’s assume that each of the offering agents is someone you chose for a particular reason, and not merely the result of a shot of tequila and a handful of darts flung at the pages of the Guide to Literary Agents. I would suggest taking a page out of my client Traci Chee’s approach when the same thing happened to her—open a new document on your computer or grab a legal pad and write every agent’s name and the primary reason why you queried each one at the top.

Next, take a look at how long each agent has been in practice and how many clients he represents….

Read it all at janefriedman.com

Read even more of it (more than “all?” wow)

10 Most Viewed TVWriter™ Posts of the Week – Jan. 20, 2020

Good morning! Welcome to another new week at TVWriter™, starting with our latest look at the most popular blog posts and resource pages during the  last week.

They are, in order:

PEOPLE’S PILOT 2019 Semi-Finalists!

‘The Following’ Season 4 was Cancelled by Fox Because the TV Series Became a Victim of Lazy Writing!

PEOPLE’S PILOT 2019 Writing Contest

How To Write The Perfect TV Series Review To Captivate Your Readers

Writing the Dreaded Outline

Corporal Punishment and Primetime TV

SPIDER-MAN UNLIMITED SECOND SEASON ARC

ENTERTAINMENT INDUSTRY NEWS AUDIO EDITION – 01/16/2020

8 Tips for Writing for Children’s TV Shows

How to Write a Script for an Animated Show

Big thanks to everybody for helping us have another terrific week at TVWriter™. Don’t forget to click above and read what you missed and re-read what you loved!

COMING NEXT WEEK – JANUARY 27th: PEOPLE’S PILOT 2019 FINALISTS!