by Kelly Jo Brick
From finding representation to landing the first staff writing gig and navigating the writers’ room, everyone’s path to breaking in is different. The Writers Guild Foundation brought together Polina Diaz (FULLER HOUSE), Kay Oyegun (THIS IS US, QUEEN SUGAR), Robert Padnick (THE OFFICE, MAN SEEKING WOMAN) and Britta Lundin (RIVERDALE) to talk about the highlights and challenges of their first years writing for television.
WRITING THE SCRIPT TO LAND YOUR FIRST JOB
Write the script you’re really scared to write, because it’s probably the one most personal to you and will resonate the most with other people. It doesn’t matter if nobody’s going to buy it or it’s too expensive. Just write what you want to for your sample.