The Writers Guild Foundation, The Writers Guild of America, West and Variety brought together several of this year’s Writers Guild Award-nominated writers for a panel discussion to reflect and share insights about creating their films.
Moderator Graham Moore (THE IMITATION GAME) led writers Guillermo del Toro & Vanessa Taylor (THE SHAPE OF WATER), Greta Gerwig (LADY BIRD), Emily V. Gordon & Kumail Nanjiani (THE BIG SICK), James Mangold and Michael Green (LOGAN), Scott Neustadter & Michael H. Weber (THE DISASTER ARTIST), Jordan Peele (GET OUT), Steven Rogers (I, TONYA), Aaron Sorkin (MOLLY’S GAME) and Virgil Williams (MUDBOUND) as they talked about how they decide what story to tell, the relationship between the words on the page and what’s seen on the screen, the craft of writing from treatments to inspiration and dealing with notes.
THESE AWARD-NOMINATED WRITERS SHARED WITH TVWRITER.COM THE BEST ADVICE THEY RECEIVED AS THEY WERE STARTING OUTread article
The Writers Guild of America, West, the Writers Guild Foundation and Variety, hosted several of this year’s Emmy-nominated writers during their annual Sublime Primetime event. Moderator Larry Wilmore led a stellar panel of writers including Matt & Ross Duffer (STRANGER THINGS), Jo Miller (FULL FRONTAL WITH SAMANTHA BEE), Gordon Smith (BETTER CALL SAUL), Lena Waithe (MASTER OF NONE) and Steven Davis & Kelvin Yu (BOB’S BURGERS) in a discussion about breaking in, the process and ideas behind their nominated episodes, chasing trends and the delicate balance of blending humor and activism.
These Emmy-nominated writers shared with TVWriter.com the best advice they received as they were starting out.
KELVIN YU – BOB’S BURGERS – You have to get a lot of bad writing out of your system as fast as you can. There’s a certain perfectionism and a certain ethos of letting perfect get in the way of good that stops people from that first step. So write something and make it as bad as you can possibly make it, like just literally get it out. Barf it out of your system and then write something again and imagine that it’s maybe just 4 percent less bad and then the third thing will be 4 percent less bad. It’s not ever as bad as you think it is. That’s the truth that you need to keep telling yourself.read article
As a writer, meetings are a regular fact of life. Whether it’s sitting down with potential representation, pitching projects, taking generals or for staffing, each meeting comes with a different set of expectations and needs for preparation.
The Writers Guild Foundation brought in experts from across the industry including Jennifer Good, an agent in Paradigm’s Television Literary Department, writer and co-EP on THE HANDMAID’S TALE, Kira Snyder, Christopher Mack, Senior VP at Warner Bros. Television and the head of the WB Writers’ Workshop and acclaimed story/career consultant and former network executive, Jen Grisanti, to discuss what to do, what not to do, how to prep and how to follow up for the wide variety of entertainment meetings writers face in the pursuit of their careers.
From finding representation to landing the first staff writing gig and navigating the writers’ room, everyone’s path to breaking in is different. The Writers Guild Foundation brought together Polina Diaz (FULLER HOUSE), Kay Oyegun (THIS IS US, QUEEN SUGAR), Robert Padnick (THE OFFICE, MAN SEEKING WOMAN) and Britta Lundin (RIVERDALE) to talk about the highlights and challenges of their first years writing for television.
WRITING THE SCRIPT TO LAND YOUR FIRST JOB
Write the script you’re really scared to write, because it’s probably the one most personal to you and will resonate the most with other people. It doesn’t matter if nobody’s going to buy it or it’s too expensive. Just write what you want to for your sample.read article