Kelly Jo Brick: Mastering the TV Writing Meeting

by Kelly Jo Brick

As a writer, meetings are a regular fact of life. Whether it’s sitting down with potential representation, pitching projects, taking generals or for staffing, each meeting comes with a different set of expectations and needs for preparation.

The Writers Guild Foundation brought in experts from across the industry including Jennifer Good, an agent in Paradigm’s Television Literary Department, writer and co-EP on THE HANDMAID’S TALE, Kira Snyder, Christopher Mack, Senior VP at Warner Bros. Television and the head of the WB Writers’ Workshop and acclaimed story/career consultant and former network executive, Jen Grisanti, to discuss what to do, what not to do, how to prep and how to follow up for the wide variety of entertainment meetings writers face in the pursuit of their careers.

Tips before your take your first meetings: read article

Kelly Jo Brick: The Write Path with Manager Zadoc Angell, Part 1

A series of interviews with hard-working writers – by another hard-working writer!

by Kelly Jo Brick

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Finding the right representation can be a key component to growing and developing a writing career. TVWriter.com sat down with several managers to find out what they’re looking for in writers and what writers can be doing to help achieve success in the industry.

Literary Manager Zadoc Angell was always interested in the arts. David E. Kelley shows like Picket Fences, Ally McBeal, The Practice and Chicago Hope drew him to the entertainment industry. While in college at Harvard, he did five internships over two summers including working at Malcolm in the Middle, Carsey-Werner-Mandabach and The Bold and the Beautiful. He got his start at the boutique agency, Genesis, which was eventually bought out by Paradigm. After three years working as an agent, Zadoc transitioned into management, first working at Artists International before making the move to Echo Lake Entertainment. read article