Troy DeVolld: “We’d need you to work as a local.”

Odds are that if the show can't pay for your travel it ain't gonna send a car like this to meet you either!
Odds are that if the show can’t pay for your travel it ain’t gonna send a car like this to meet you either!

by Troy DeVolld

I don’t complain about much. I’m good with long hours, I don’t mind working a little harder to get a show in good shape and turned in on time.  I can even handle parking blocks or even miles from a location and cramming into a shuttle with 7-23 other people to get to set.

Being asked to work as a local states away from home, however, bugs me.

What that means is finding (and paying for) a place to stay when you’re many hours from home, sometimes out of state or even the country working on a project.  It’s not uncommon in reality’s non-union universe, as it saves the production company money on their most tightly-budgeted shows. read article

How To Be A Film & Movie Producer

And now, from the “pages” of TomCruise.com (We know! Who’d a thought?) comes an excellent article holding y’all by the hand and taking you – okay, us) through one of the scariest processes in the known universe – becoming a gen-u-ine film (or TV) producer:

by Team Tom Cruise

Yeppers, these are iconic silhouettes we all should know!
Yeppers, these are iconic silhouettes we all should know!

For the film lover who aspires to do it all in the entertainment industry, learning how to become a movie producer puts you in the driver’s seat of a film production. The producer is possibly the most misunderstood, yet most important person involved with any movie. The producers – people like Tom Cruise, Steven Spielberg and Jerry Bruckheimer – all join a film project at the very beginning and commit themselves to seeing it through to completion. In short, they’re the generals running the entire production, doing it all.

Fans and film aficionados who want to break into the industry to produce their own films may feel overwhelmed. It takes a ton of knowledge about a variety of fields to climb the mountain in becoming a movie producer. However, the team at TomCruise.com again has assembled a guide to give you some resources outlining the basics of film producing. While not completely exhaustive, we hope this gives the aspiring film producer a first marker on the road to becoming a success! read article

Top UK Showrunner Anthony Horowitz: ‘This is the golden age of TV’

Anthony Horowitz’s name is as well-known as any TV writer’s name can be – in the UK where he has written and produced some of the best written and most popular police procedurals in the history of British TV. We’re talking about Foyle’s War, Collision, Midsomer Murders, and many more. The article below gives us a chance to go beyond the usual puffery and actually learn a bit about the mindset it takes to succeed as a major TV force in any country:

Anthony Horowitz
Anthony Horowitz

by Tim Masters

As its title suggests, New Blood endeavours to offer a fresh journey along the well-trodden path of TV crime drama.

But even an experienced writer like Anthony Horowitz admits it wasn’t easy making fraud a sexy subject for the small screen. read article

LB: Envy – Deadly Sin with a Positive Effect?

by Larry Brody

Just discovered the above video on the interwebs and definitely believe it’s worth sharing.

One of the dirty little secrets I’ve learned over the years is that many a showbiz biggie has gotten a boost from at least one of the so-called “7 Deadly Sins.” Whenever I say this, most people’s brains automatically zoom right to the sexier sins and the casting couch. But in my experience the most helpful sin has proven to be envy. It’s helped some of the most – and, yeah, least – talented biggies in films, TV, music, et al over some otherwise impossible hurdles.

Sorry if I’m bursting any bubbles. (But you’ll thank me later.) read article

What Hath Peak TV Wrought?

Remember when you could count on TV? You could schedule your life knowing what shows to watch and when to watch them? How sweet the past! How innocent! Just between us, TVWriter™ is mighty glad those days are over, but it turns out that there are others whose opinions differ:

tvlistings

by Lara Zarum

When I’m old and grey and yet still, in the words of Carrie Bradshaw jetting off to Paris, “impossibly fresh-looking,” I’ll sit my grandchildren on my lap and tell them the story of Peak TV: “Between 2009 and 2015,” I’ll croak, “the number of scripted series on TV practically doubled, from around 200 to just over 400.” To which my grandchildren will respond, “What’s TV?”

In a Vulture cover story that ran last week called “The Business of Too Much TV,” reporters Josef Adalian and Maria Elena Fernandez spoke to showrunners, writers, directors, crewmembers, actors, talent agents, and executives in an attempt to understand how “Peak TV” — a term coined last summer by FX president John Landgraf — has affected the industry. As Adalian and Fernandez illustrate, we’re in the middle of a boom time: from line producers to writers to port-a-potty rentals, demand is fast outstripping supply. Movie stars are commanding millions of dollars per episode of the next hot Netflix or HBO or Showtime series. There’s more opportunity than ever for a creator with a strong vision to get her show on the air. read article