Remember when you could count on TV? You could schedule your life knowing what shows to watch and when to watch them? How sweet the past! How innocent! Just between us, TVWriter™ is mighty glad those days are over, but it turns out that there are others whose opinions differ:
by Lara Zarum
When I’m old and grey and yet still, in the words of Carrie Bradshaw jetting off to Paris, “impossibly fresh-looking,” I’ll sit my grandchildren on my lap and tell them the story of Peak TV: “Between 2009 and 2015,” I’ll croak, “the number of scripted series on TV practically doubled, from around 200 to just over 400.” To which my grandchildren will respond, “What’s TV?”
In a Vulture cover story that ran last week called “The Business of Too Much TV,” reporters Josef Adalian and Maria Elena Fernandez spoke to showrunners, writers, directors, crewmembers, actors, talent agents, and executives in an attempt to understand how “Peak TV” — a term coined last summer by FX president John Landgraf — has affected the industry. As Adalian and Fernandez illustrate, we’re in the middle of a boom time: from line producers to writers to port-a-potty rentals, demand is fast outstripping supply. Movie stars are commanding millions of dollars per episode of the next hot Netflix or HBO or Showtime series. There’s more opportunity than ever for a creator with a strong vision to get her show on the air.