2021 Emmy Award Winning Writers

And now, because it’s the right thing to do (and you can see the other winners just about anywhere), here they are, the really big Emmy winners for this year. That’s right, we’re talking about the WRITERS!

OUTSTANDING WRITING FOR A COMEDY SERIES

Hacks, “There Is No Line (Pilot)”
Written by Lucia Aniello, Written by Paul W. Downs, Written by Jen Statsky

OUTSTANDING WRITING FOR A LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL

 I May Destroy You
Written by Michaela Coel read article

Last Week’s Most Important Cord Cutting Developments

Locast streaming service shuts permanently

Cord Cutters News gives us the latest on the cord cutting front, including: an upcoming bundle that pairs Showtime with Paramount Plus, Apple TV getting is tvOS 15 software update next week, Locast suffering another legal blow, streaming services celebrating National Hispanic Heritage Month, and more!

Cord Cutters Video Channel: https://www.youtube.com/channel/UC6tUZA7GiIZPaUu4FQXnFYA

Cord Cutters Web Site:
http://cordcuttersnews.com read article

How to Get Your TV Show Idea on the Air #7

by Larry Brody

The seventh in a series of videos about what is for all practical purposes the most important thing to know in showbiz: How to sell your idea, your script, and yourself.

This is serious business indeed, but the process also is filled with fun and, yes, love.  So please sit back and click to learn, enjoy, and maybe even find your TV show Destiny by knowing more about WHAT EXECUTIVES WANT TO SEE IN A TV SERIES PITCH.

MORE TO COME

“Venting Your Spleen”

Last week LB talked about overthink and an article in justpublishingadvice.com about using commas with the word “because.” This week we’re happy to present another article from the site, this one about the origins of the phrase, “Vent your spleen.”

Overthink again? Undoubtedly. But informative as hell. We hope you’ll agree.

read article

LB: New Writers Guide to Storytelling

by Larry Brody

I’m making this as brief as possible, which means I’m not explaining the “Whys” of these tips, other than with this preface:

This is the 21st Century. Storytelling, by which I mean plotting, ain’t what it used to be. The contemporary audience has seen and read and experienced at least as much as you have, which means MAKE SURE YOU KEEP EVERYTHING AS SHORT AS POSSIBLE SO YOU’RE NOT TELLING READERS/VIEWERS WHAT THEY ALREADY KNOW .  read article