DOCTOR WHO Wins A Peabody Award

George Foster Peabody Awards

And why the hell not?

Here’s what the Peabody Awards Committee had to say:

Doctor Who (BBC America)

The BBC Cymru Wales

Seemingly immortal, 50-years-old and still running, this engaging, imaginative sci-fi/fantasy series is awarded an Institutional Peabody for evolving with technology and the times like nothing else in the known television universe.

In case you don’t know about the George Foster Peabody Awards, they’re a Very Big Deal. Here’s how their website puts it, and it’s being modest:

First presented in 1941, the George Foster Peabody Awards recognize distinguished achievement and meritorious service by broadcasters, cable and Webcasters, producing organizations, and individuals…

Selection is made each spring by the Peabody Board, a 16-member panel of distinguished academics, television critics, industry practitioners and experts in culture and the arts…

The competition is open to entries produced for alternative distribution, including corporate, educational, home-video release, CD-ROM and World Wide Web. In general, such non-broadcast or non-cable entries should be publicly available.

Other scripted winners 0f the 72nd Awards include:

Southland (TNT)

John Wells Production in association with Warner Bros Television

Shot on location in Los Angeles neighborhoods both posh and blighted, focusing on characters whose personalities have become more nuanced by the season, it’s a gritty, weekly ride-along, as convincing as cop drama gets.

Switched at Birth (ABC Family)

Prodco, Inc. in association with ABC Family

What could be a reality-show premise – two families discovering their teenage daughters, one of whom is deaf, were switched at birth – is explored with honesty, imagination and humor in this superior family series.

Game Change (HBO)

Playtone Productions and Everyman Pictures in association with HBO Films

A behind-the-scenes account of what happened after John McCain picked Alaska’s charismatic, combative governor to be his running mate, it’s a story worthy of Euripides and Robert Ripley.

Louie (FX)

Pig Newton, Inc., FX Productions

Louis C.K.’s self-reflective, shape-shifting series about a single, show-biz dad is daring and endearing, scandalous and sensitive, a milestone of comedic reach and candor.


Girls (HBO)

Aptow Prod and I am Jenni Konner Productions in association with HBO Entertainment

Creator/star Lena Dunham’s singular, decidedly unglamorous take on sex and the single girl and the city reverberates with anxiety, angst, insight and rueful humor.\

See the full list.

Love & Money Dept – TV Writing Deals for 12/19/12

Latest News About Writers Doing Better Than We Are

  • Double Down: Game Change 2012, by Mark Halperin & John Heilemann has been bought by HBO. Book is a sequel to the original Game Change which was made into an HBO film starring Julianne Moore as Sarah Palin. (Does this mean Sarah will be back? We mean, that Julianne will be back? ‘Cuz for reasons having nothing to do with artistic merit that would be awesome!)
  • Ethan Sandler & Adrian Wenner (EPITAPH, THE PRINCESS DIARIES) are writing the AMC sitcom pilot WE HATE PAUL REVERE, set in colonial Boston and about 2 brothers who aren’t big Paul Revere fans. (Does this mean Paul Revere & The Raiders, our parents’ favorite ancient rock band, will be coming to TV? ‘Cuz for reasons having nothing to do with our hard-on for Sarah Palin, that would be awesome!)
  • Unknown Writer (this could be your/our big chance) will soon be writing the ABC Family pilot RECOVERY ROAD, based on Blake Nelson‘s novel of the same name about a teenage girl who finds love at rehab. (Does this mean that idiotic relationships are coming to TV? ‘Cuz that could justify a lot of existences, including our own!)
  • Stacey Jay is writing JULIET IMMORTAL, an adaptation of her book by the same name describged by the H’wood Reporter as “a paranormal love story revolving around Romeo and Juliet, who meet again…as enemies.” (Yes! Idiotic relationships are indeed in, hip, and trendy now on the small screen. Our miserable lives here at TVWriter™ are now totally justified!)

The TV Academy Gave Out Some Emmys The Other Night

…but we just couldn’t work up enough interest to watch. No, wait, we don’t mean that. We mean that we’re against the idea of artists being regarded as competing for things like awards. Competing for jobs, sure, but awards?  That’s soo uncreative. Anyway here are all the winners. The ones we care about, that is:

Hmm, this dude isn’t writing so he must be singing

Writing for a Comedy Series
Louis C.K.: LOUIE: Pregnant

Writing for a Variety Special
Louis C.K.: Live at the Beacon Theatre, Louis C.K.

Writing for a Drama Series
Alex Gansa, Howard Gordon & Gideon Raff: HOMELAND

Writing for a Miniseries, Movie, or Dramatic Special?
Danny Strong: GAME CHANGE

Our congratulations all these fine writers. You’ve earned our praise, our support, and our envy!