How in the world could anybody who has ever heard of Fight Club resist watching a video about the creation of this classic film?
Chuck Palahniuk (author), Jim Uhls (screenwriter), David Fincher (director), plus a host of others who were involved with the project are here for our educational pleasure. Who needs clickbait when you have info like this?
See more videos like this on the Behind the Curtain YouTube Channel
Grant Snider, philosopher-cartoonist extraordinaire reminds us of the deep value of…books.
Grant’s new book, his first for children, will be published soon. You can pre-order it HERE.
Hunch forward and glue your eyes to the page, writing compadres, and join us in this look at a few of the most emotionally satisfying TV series of all time.
And, yeppers, we’re including the Game of Thrones finale because, well, a lot of us loved it, y’know?
The best television show finales leave us wanting to watch the pilot all over again. They’re celebrations of the series and usually of the creators and cast.
Frequent visitors to TVWriter™ and People’s Pilot entrants over the last few years have been reading a lot about “audio drama” and the boom that has started within the “audio series” genre. (Although the boom very often is referred to as “podcasting,” broadening the traditional definition of that last word.
In order to clarify what audio drama is, we’ve turned to writer, actor, director, and producer Pete Lutz of Narada Radio Company (“radio!” another term of course for, erm, podcast). Here’s what Pete has to say.
When you engage with an audio drama, here’s what happens: From the opening sequence, the dialogue, music and sounds combine to form a picture that only you can see.
When the writer of Aladdin, Big Fish, Charlie and the Chocolate Factory, and Charlie’s Angels talks about screenwriting, we listen. And we think you should too.
I had the pleasure of talking with ALADDIN, BIG FISH, CHARLIE AND THE CHOCOLATE FACTORY, and CHARLIE’S ANGELS screenwriter John August recently.