Leesa Dean: Digital is Where It’s At!

digital

Adventures in Digital Series Land #115
by Leesa Dean

An intense couple of weeks.  Am in the final stretch of post for my series and hoping I’ll be done in a few months. This part is a bear.  Each episode has many pods that are strung together to make a narrative–approximately 35 per episode. To say it’s been challenging to manipulate them all is an understatement. Plus, I’m reanimating certain bits just to make them tighter and brighter.

Meanwhile, also, about a month or so away from completing a pilot script. There’s a lot going on in this particular show–and the character development is raking me over the coals because I want them to be idiosyncratic and compelling.  Plus, I have limited time to write because of production so my days been nuts so it’s been a challenge.

But a few things happened recently that further legitimatized the digital series realm and it’s the wind that keeping this operation afloat! read article

Indie Video: WELCOME TO KICKSTARTER

Regular TVWriter™ visitors know how highly we value Kickstarter and other crowdfunding sites. (Honest, we do!) But in the interest of fairness here’s another point of view, which we would’ve Kickstarted in a minute given the chance:

More crazy, zany takes on otherwise cool websites from JelloApocalypse

CARGO 3120: How in the World(s) Did We Get Here?

CARGO3120

The Making of a SciFi Franchise #24
by Aaron Walker, Sr.

Whenever I’m asked “How did this book come about?” my number one response is: “By the grace of God”, a simple fact for which I make no apologies. To say that this book was released amid great personal and professional setbacks and frustrations, would be a huge understatement. And like other writers no doubt experienced at one time or another during their careers, I seriously flirted with the idea of quitting, mainly because I had too much going on in my life. Everything from the challenges that come along with family life, to the constant delays of the project (a fact that we blogged about numerous times), all played a part in my feeling that it was perhaps time to hang it up.

But I am a firm believer that every good gift and every perfect gift is from above. And I certainly didn’t believe we were blessed with the God given ability to create, to just sit on it and do nothing. So we pressed forward anyway. And I am glad we did. To finally see a tangible form of something on which you have toiled for years, makes all of the pain and disappointments vanish in an instant. Regardless of where this goes in the future, I am glad to have gone through this process, and I couldn’t be more proud of the work we produced.

I say “we”, because I cannot take all of the credit for myself. While I may have been the one that penned the actual book and screenplay upon which this particular book is based, Cargo 3120 was not just my idea, but also the ideas of the incredibly talented co-creators: Daymond C. Roman and Lloyd Walker Jr. I also must acknowledge the gifted writer/poetess: Brenda Mitchell-Walker (my mother and editor), and our Artist: Lemelle Wherry, who was responsible for the cover art, as well as all of the concept art on our website (www.cargo3120.com) And while we have conquered one book, believe me, there is a lot more to come. read article

6 Tips for Getting Your Web Series Off the Ground

Must reading for those of us who are pursued by the “Make Your Own Web Series” demons. Which, in this day and age, probably could well mean us all:

Above: Kim Spurlock shows us how it’s done

by Maddy Kadish

For indie filmmakers, the challenges of creating a web series may be the same as for a short or feature – slim funding, a crowded market, difficulties in building an audience and limited path for pricing models. But digital content has its own set of demands and requirements. read article

Indie Video: 97%

Best love story we’ve seen in a long time:

Via an app on his phone, Bert discovers that a 97% love match is near. Will he find her before the subway reaches the end of the line? read article