Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
TVWriter.Com’s Kelly Jo Brick was a panelist at the Austin Film Festival this year and returns to this very site bringing some of the insights she gathered while attending the event.
In the words of Larry Brody, “Welcome back, Kelly Jo! Boy, do we ever hope you’re going to stay.”
Every year the Austin Film Festival and Screenwriting Conference puts together a jam-packed event, filled with films, panels and parties as writers gather to celebrate a shared love for story.
TVWriter™ Contributing Editor Emeritus Herbie J Pilato gives writers the scoop on adapting their work for TV and film. As usual, we’re talking short and pithy here. And as valuable as all get-out, for sure.
More tips from top writers courtesy of Author Learning Center are HERE
More about Herbie J Pilato is HERE
One of TVWriter™’s favorite sites goes all out with a detailed guide on how to write for TV. Our friends at Script Reader Pro have earned the blessing of our Beloved Leader, Larry Brody himself.
As an aspiring screenwriter, you may have noticed there’s quite a bit of confusing information out there regarding writing for television.
In this post, we’re also going to dispel many of the myths and confusion surrounding writing TV scripts.