Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
The article below fascinates us because of the way it waves and wiggles and uses language in a most effective way to make the stats, erm, come alive.
Genius. Sheer genius.
Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
We don’t usually turn individual podcast news items into TVWriter™ posts, but this one is special.
We believe the fact that a major film company like Steven Spielberg’s Amblin’ Partners is making Cynthia Erivo’s fiction podcast, Carrier, into a major film is a major leap forward for fiction podcasting (AKA audio fiction) in general.
Check out the deets: