Diana Vacc sees “Sully”

by Diana Vaccarelli

*Warning: this review may contain spoilers!*

sullyFrom Blockbuster/Tentpole Season to Award Season. The earth keeps turning, and Hollywood’s studios are putting out their best work as each tries to garner the top awards.

Sully tells the true story of the “Miracle on the Hudson” when  pilot Chesley Sullenberger became a hero after he made an emergency landing of his limping jetliner on the river and saved everyone on board. read article

Not Another Love Story – Compulsory Heterosexuality on Screen

rj

by Anansi

Mary: I’ll bet Romeo marries his Juliet.
Jimmy: They have a baby…
Mary: …and make lots of friends!
Mary & Jimmy: That’s prob’ly the way the play ends.

Here’s a story. There was a boy, and there was a girl. Can you fill in the rest? Did you think ‘they get together’? On TV and in film, most of the time, you’d be right. read article

WGAW 2016 BOARD OF DIRECTORS ELECTION RESULTS

Congratulations to the new members of the Board of Directors of the Writers Guild of America, West:

wgaelection2016capture

Kelly Jo Brick: The Write Path with VJ Boyd

A series of interviews with hard-working writers –
by another hard-working writer!

by Kelly Jo Brick

Photo courtesy of the Austin Film Festival
Photo courtesy of the Austin Film Festival

Aspiring writers often wonder how the pros got where they are. The truth is, everyone’s story is different, but there are some common elements: dedication, persistence and hard work.

VJ Boyd came up through the assistant ranks before breaking in as staff writer on JUSTIFIED. He’s gone on to write for THE PLAYER and is producing his pilot THE JURY for ABC. He, along with writer Mark Bianculli and producer Carol Mendelsohn, recently sold the drama DOOMSDAY to ABC.

WHEN DID YOU FIRST KNOW YOU WANTED TO BE A WRITER? read article

LB’s Poetry: Two People Who Died By Their Own Hand

by Larry Brody

NOTE FROM LB: 

The following poem has nothing to do with showbiz…except that it owes its existence to the fact that it tells, as compactly as possible, the kind of story I always wanted to tell on TV but never could.

There were rules back in the day, about what topics you could touch and how you had to stroke them. Life and and the danger of losing one’s life were beloved by network execs. But there sure as hell weren’t any I ever met who wanted to read a script or watch a show about suicide. (Not even if it was action-packed.) Poetry, however, knows how to welcome: read article