TV Writing & Social Responsibility – Can They Ever Live Together? Part 1

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SOCIAL-RESPONSIBILITY-facebook

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by Diana Black

For us as the new generation of intrepid screenwriters attempting to write the next great spec pilot, what key elements do we consider in the creative development process – most likely a ‘What If’ session that focuses our deep fascination for a concept in relation to character and/or situation; such has been integral since the time of Aristotle. When it comes down to the nitty-gritty of realizing that glittering premise into a story-world rich with intriguing characters and hooks to entice the ‘suits’ into ‘talking mode’, does ‘inclusive writing’ figure in the ‘brainstorming’ stage and if so, in what way? Equally, do the terms – business, commodity and product come to mind?

It is probably safe to say that the #1 grumble of many a TV and film writer – regardless of their tenure, status in the industry or lack thereof, is the onerous task of having to pander to the ‘suits’ while trying not to compromise the original artistic vision. Somewhat galling considering that if it weren’t for writers creating amazing pieces of fiction, ‘big show business’ would most likely cease to exist. However, we’ve all received the warning from anyone willing to advise us, “Ignore the concept of commercial viability at your peril.” So it would seem we are beholden to serve and beyond that of just the story, if we want the writing gig. Perhaps our degree of compliance and sense of professional fulfillment will depend on what changes those with the cash want to make and why.

We are reminded by our esteemed tutor, Mr. Larry Brody, in Television Writing: from the Inside Out that television is indeed big business and that should we succeed in ‘breaking in’, we’ll have achieved the status of ‘team player’ with what makes it to the screen being a collaborative effort on behalf of many (p. 4). These various stakeholders, especially in free-to-air television and no matter where they are in the chain of command, they’ll demand substantial results and quickly because their professional careers are on the line. What’s driving this frenetic desire? read article

Peer Production: ANGIE’S LOGS

Angie Martinez Capture

Sooo cute.

Never thought you’d hear us say that, didja? Well, the only way we can explain is this: read article

Peggy Bechko: The Unnatural Museum

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by Peggy Bechko

Today I’m going to tell you about the Museum of UnNatural History. It’s at www.unmuseum.org
Why? Well, heck, it’s just fun and this is the time of year for fun. Besides, writers need a break and this is a mind-expanding exploration. Here’s what the Museum of Unnatural History offers:

  • Travel to the Seven Wonders of the World.
  • Cryptozoology
  • UFO Mysteries
  • Aviation
  • Space & Time
  • Dinosaurs
  • Geology
  • Archaeology
  • Exploration
  • 7 Wonders
  • Surprising Science
  • Troubled History
  • Library
  • Laboratory
  • Attic
  • Theater
  • Store
  • Index/Site Map
  • Cyclorama

They offer new stuff and most popular categories to wander through – even have a ‘gift shop’ (connected via CafePress).

Now, really, don’t you want to visit the Attic? read article

It isn’t enough to be great, you need to be consistent

Sorry, unpredictable geniuses out there, but your occasional bursts of brilliance ain’t enough to build a career on:

idealights

The Under-Appreciated Benefits of Creative Consistency
by Gregory Ciotti

It’s familiar advice to anyone who pursues creative endeavors: the typical creative process isn’t one punctuated by bursts of brilliance, but is instead a long term development of a consistent work habit. Consistency doesn’t count for everything, but it sure counts for a whole lot.

With the many land mines out there, ready to derail even the most talented of people, “showing up” regularly offers undeniable benefits. Some of these perks often go overlooked. read article

Love & Money Dept – TV Writing Deals for 1/19/15

TOSHIBA Exif JPEGLatest News About Writers Who Are Doing Better Than We Are
by munchman

  • Ian Hollands (Beaver Falls) is writing the mini-series Apocalypse Slough, “a Sky 1 “adrenaline-fueled witty epic about the end of the world.” (Yer friendly neighborhood munchman fully expects this to turn up on Syfy sometime next year as well. Unless it’s good, in which case Syfy will have no interest whatsoever but maybe Netflix will?)
  • Guillermo del Toro & Travis Beacham & Rene Scheverria  (Star Trek) are co-writing Carnival Row, a potential Amazon Studios series based on Travis’ spec script. (The eagle-eyed among you may have noticed that I didn’t give any credits to del Toro. That was deliberate cuz if you talk about him as a writer you soon realize that he can’t. Write, that is. Fortunately, if the pilot for Carnival Row gets shot, he’ll be directing…as sublimely as ever, I hope.)
  • Have I mentioned that Woody Allen, of whom you may have heard a few things, is set to develop his first TV series for Amazon Prime? (It’s what’s called a “blind commitment,” and in this case its totally blind: Nobody, not even the Woodster, has a clue about what he might deliver. Or, for that matter, if he’ll deliver anything. My munchensteinian prediction: It’ll be a series about a middle-aged man in love with a much younger woman and every single line of dialog and joke will be one we’ve already heard in a Woody Allen movie. How do I know this? Well, I’ve seen a few recent Woody Allen movies. Hehehe…

That’s it for now, munchaladas. Don’t forget to write in and tell yers truly what you’ve sold when you sell it. Cuz TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)