80 Wordy Expressions & What You Could Use Instead

Grammarcheck.Net and Jennifer Frost bring us another infographic about better writing. This time around, it’s all about biting the bullet and being concise.

BIG THANKS TO GRAMMARCHECK

Grant Snider Wants Us to Know about His Latest Book

…And we’re down with that. Here’s what he has to say about There is a Rainbow.

by Grant Snider

My new book THERE IS A RAINBOW is [now] out. It’s a story of hope during the pandemic. School Library Journal called it “the perfect pandemic book…the book we need, the message we deserve.” read article

How do you adapt an 800-page novel for TV?

How did the novel The Luminaries become a Starz TV series? It wasn’t easy, that’s for sure. But being difficult isn’t the same as being impossible, and after “seven years, 300 drafts and plenty of crying, here it is.”

Author Eleanor Catton, left, and director Claire McCarthy on the set of “The Luminaries.”

by Meredith Blake

“The Luminaries” seemed to have everything Hollywood wants in a book.

A commercial and critical hit when it was published in 2013, Eleanor Catton’s immersive novel was set on the rugged southwest coast of New Zealand during its 1860s gold rush. A tale of fate and fortune on the antipodean frontier, it had all the makings of a great screen adventure: rowdy saloons and smoke-filled opium dens, devious blackmail schemes and treacherous ocean voyages, ruthless villains and star-crossed lovers. read article

Get in tune with your writing goals

Nathan Bransford, TVWriter™’s favorite publishing know-it-all, has a few words for us about about setting and attaining our writing goals.

by Nathan Bransford

It’s starting to feel more like 2021 with every passing day, and I’m still in a goal-setting frame of mind as I think about what’s next for my creative life and business. read article

Larry Brody’s TV Writing Tips & Tricks #12

Conflict!
by Larry Brody

In real life human beings strive to attain warm, comforting relationships with spouses, children and friends. We work hard to find ways to support each other emotionally.

However, I learned early on in my career that having your characters respond to each other this way on film is at best boring and at worst injurious to your script (and the ratings of your show). read article