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Time for TVWriter™’s Monday look at our most popular blog posts of the week ending yesterday. They are:
‘NCIS: New Orleans’ Producer Investigated Again, Even as CBS Renews Overall Deal
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Time for TVWriter™’s Monday look at our most popular blog posts of the week ending yesterday. They are:
‘NCIS: New Orleans’ Producer Investigated Again, Even as CBS Renews Overall Deal

Sometimes I worry that the things I write/create and publicly promote are too weird. My short film Ace and Anxious (spoiler alert) ends with a visual gag implying a man has had sex with a playing card. My web series Sam and Pat features escalating and absurdist visual gags set against two characters being mean to each other and talking about therapists. My web series Brains is a narrative vlog from the perspective of a narcissistic sociopathic YouTuber trying to get a boyfriend post zombie apocalypse.
The worry about the weird comes not from a worry that the things I make aren’t good. I think they’re quite good- I’ve even got some awards to prove it!
The worry comes more from the fact that it’s very hard to succinctly explain these projects and their value to people more successful than me. “Oh, you make films too? What are they about?” “You better sit down for this.”
Speaking of “the binge factory,” as we were just a couple of days ago, Script Reader Pro is one of the best script service sites around, and this is one of the best guides to successfully pitching your series that this TVWriter™ minion has ever seen. But I’ve already taken too much of your time so all I’ll add now is, “Dig in!”

Learning how to pitch a TV show is just an important skill to learn as writing the script itself. If you’re hoping to break into the world of television as a writer, you can write the best pilot in history, but if you don’t know how to pitch it, it’s unlikely your show will get produced.
Apart from great writing, you need to be able to convince the financial gatekeepers (read: executives) at any cable, network or reality channel that your idea has the originality, longevity and “wow-factor” to turn it into a successful series. And to turn over a tidy profit.

Exciting email from Stareable, the site this particular TVWriter™ minion considers the absolute last word about web series here on the, erm, web, about their new podcast. (And the first few episodes already are online.
Here’s the downlow:
TVWriter™ Contributing Editor Kelly Jo Brick is taking a break from our e-pages to write for FinalDraft.Com, but that doesn’t mean y’all have to miss her because linking, you know? So here’s the latest from our favorite award winning screenwriter, documentarian, blogger:
It’s your dream to be on the writing staff of a television show or to sell your
feature film script. Until that happens, you’re working a day job, grabbing spare moments to write. So, how do you stay motivated until your breakthrough?
Set attainable goals