Want to Score a Fellowship to TheOffice?

by TVWriter™ Press Service

Attention, TVWriter™ visitors. Here’s a peek into the kind of email we love to receive…because of the way it can benefit YOU:

Hi there, read article

The Perils, Pitfalls, and Cool Stuff That Come with Living in L.A.

Life in L.A. may not be a cabaret, but it IS a studio tour

LB’S NOTE: Speaking of where I live now that I’m, erm, sort of retired, here’s another perspective on the city where I abided for about 30 years (with, I admit, a few breaks in places like Santa Fe, NM and – God help me – Orlando, FLA.

by Larry Brody

Throughout my career, one of the most asked questions, usually uttered in a voice so filled with resentment and contempt that makes me want to pull out the AK I don’t (and never will) have and start blasting always has been:

“If I want to write for film or television, do I have to live in L.A.?” read article

Bad screenwriting analysis: #1 Plot convenience

Yeppers, it’s time to examine some bad screenwriting and see how and why it got that way so we – of course – don’t make the same mistakes.

From a cool site that never lets us down…and has a really cool name as well: Shadow and movies.

Yep, this definitely was a film filled with bad writing. Dang! (What? You’d rather hear “Goddammitfuckthisshit…!” etc.?

Are you looking for a way to make sure that the people who read your book or watch your movie leave angry and frustrated? Well, you’re in the right place because I’m about to explain what is a plot convenience and why you should totally use it whenever you have the chance. read article

In Defense of Aristotle

As we all know, TVWriter™’s good buddy and long dead mentor, Aristotle, (the guy without a last name because…Aristotle, you know?) was, if not the inventor, then certainly the first person to codify the three act writing structure that is the basis for, well, just about every story ever written.

Here, in case y’all forgot, is a hearty explanation of the three act structure (and if this doesn’t help you master it, you can always try LB’s mighty fine TV writing book). Anyway:

One of many fine informational videos by Lindsay Ellis

How to Become the Most Productive Screenwriter You Know

It’s Valentine’s Day, which means that instead of working your butt off writing your heart out (now there’s a mixed metaphor to be reckoned with!) you’ll probably be making sweet love all day…or being upset because you aren’t.

But tomorrow will come, and with it the siren call of your chosen profession – writing for TV, or films, or even publication. Here’s a Valentine’s Day gift to get your going at en even higher level than you’ve been at so far:

read article