The Universe Beyond

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by Herbie J Pilato

Along with the popular series The Lieutenant, Roddenberry also created a number of other series.

Many of his significant television properties, aside from Star Trek, materialized after the initial demise of what is now known as “The Original Series,” and prior to the development of Star Trek: The Motion Picture, which ignited the feature film franchise in 1979.

The more recognizable of these non-Trek projects were several unsold made-for-TV science fiction pilots including Genesis II, Questor, Planet: Earth, Strange New World, and Spectre. read article

John Ostrander: Villain or Anti-Hero?

by John Ostrander

cumberbatch-hamletMy friend Brian Skelley recently e-mailed me a question that gave me some pause: what is the difference between an anti-hero and a villain? Having trafficked in anti-heroes for some time, you’d think I know but I had to parse it out.

As I postulated it to Brian the basic answer was that the anti-hero is the protagonist of a given story; the villain is often the antagonist which makes him a support character. The main purpose of any supporting character is to bring out some side or aspect of the main character, the protagonist. A villain can be the protagonist; I’ve written stories where the Joker is the main character, for example, or with Captain Boomerang, neither of whom could be called a hero in the conventional sense.

Whatever the anti-hero’s deficiencies, he or she are usually better than those surrounding him/her. Why are we rooting for the anti-hero to succeed? If we feel nothing for them, what is the point? At the very least, we need to be rooting for them to get away with whatever it is they are doing. We want Danny Ocean’s plan to rip off the casino to work, in part because (in the later movies) he’s played by George Clooney at his most charming. read article

Dennis O’Neil: Mayor Green Arrow? Really?

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by Dennis O’Neil

What’s the pothole situation in Starling City? And the re-zoning hassle – that still a headache? And the business with the access lanes to the bridge – was that ever settled?

Since Oliver Queen’s been elected mayor, it’s reasonable to think that this kind of mayoral busyness is the better part of his days. At night, of course, he puts on a mask and hood and grabs his bow and arrows and kicks (or maybe punctures) miscreant ass. Oh, and his also training a bunch of wannabe vigilantes to help with the kicking/puncturing – and not always being Mr. Nice Guy while he’s doing it. (Maybe he’s got some marine drill sergeant DNA?) read article

Munchman’s Latest TV Musings

Munchman’s TV Musings #4

  1. Marti Noxon, an incredibly overrated writer for the even more incredibly overrated series Buffy the Vampire Slayer is turning Dietland, a novel by Sarai Walker, into a series for AMC because the world definitely needs more “coming-of-age” “revenge fantasy” storylines that mock fashion, fat, and, yeppers, skinniness too. Yer Fantastic Flying Munchman knows what this book’s all about, munchacolytes because he’s actually read the damn thing. And near broke me Kindle in the agonizing process.
  2. OTOH, there is a God after all, and the fact that Jennifer Lopez is going to star in a live version of Bye Bye Birdie on NBC in the deliriously welcome year of 2017 (cuz it absolutely has to be better than 2016, yeah?). What’s that? You never heard of Bye Bye Birdie? Well, it was a ’60s Broadway (and beyond, just like the bath store) musical based on how stupid small towns, teenagers, their parents, and Elvis Presley the Thin at That Time all were. It ain’t much of a show, truth be told, but holy crappoly! it has fucking Jennifer fucking Lopez playing Rosie, who captured a thousand and one ’60s geeks hearts by being mature, sexy as all hell and having only one wonderful goal in life – “to be an English teacher’s wife.” Yeah, baby!
  3. Moving back to derivative dark-sidedness, Netflix is unleashing a series called 3% on us even as munchola types this. This vileness masquerading as social satire is a reboot of a 2011 web series that itself was remarkably similar to a certain film franchise starring Jennifer Lawrence as a combination of a blond Raquel Welch (or maybe Jennifer Lopez) and Errol Flynn’s Robin Hood. I absolutely guarantee that the show’s going to be a mess. Instead of being “in like Flynn” (a historical reference definitely worth checking out), 3% is more out like, oh, how about gout (a medical reference you can ask your grandfather about)?
  4. Then there’s the semi-annual Knight Rider reboot, brought to us this time around by Justin Lin and NBC/Universal Brand Development. The name of the production entity pretty much tells us how the creators visualize it – as another vehicle (get it?) for merchandising more crap to “a new generation of fans.” Oh well, it’s bound to be better than the Team Knight Rider sequel series, right? What? Ya never heard of that one? Proves my point!
  5. Have you heard the joke about fan fave Bryan Fuller “stepping down” as showrunner of the upcoming Star Trek Beyond? The funny thing about this situation is that CBS is merrily reassuring all and sundry that Fuller’s departure won’t diminish the new series in anyway while simultaneously announcing that his duties will be picked up by Alex Kurtzman, whose perspective, taste, and talent totally eviscerated the ST film franchise. Wham! Bam! “No deep thoughts or ideas, please, we’re too busy keeping things moving, moving, moving.” In the words of Mel Brooks, who would be a better showrunner than Kurtzman or just about anybody else, “Oy vay!”

That’s it for this week. I’ve got a terrible, tasteless, but shockingly popular web series to get back to work on, but I promise – I’ll seeya next time with more TV joy!

Are You a Powerpuff Girls Fan?

Here’s why you should be:

I don’t know how to say this without putting a severe crimp into any claim I have ever, or will ever, make to have serious TV writing or analyzing cred, but when I was a pre-pimply adolescent girl The Powerpuff Girls was my favorite series.

Mostly, I believe, because it was the first show I ever watched that I got but my parents didn’t. That’s changed, of course. Nowadays, every time anybody in my parents’ generation sits in front of her or his monster screen TV and allows her or his face to set into a bewildered yet angry scowl at this or that new comedy the fact that nobody over 40 understands one thing about millennial tastes demonstrates itself yet again. read article