John Ostrander: My Secret Origin Story

by John Ostrander

T[his week]I’m supposed to have what is called a nuclear stress test – checking on the old ticker – during which they introduce a nuclear particle into my blood stream and then will track it. According to comic book physics, this should result in my gaining a super-power or two. So I’ve been considering what power(s) I might get or want.

There’s a spectrum of possibilities. Spider-Man got his powers through radioactivity, as did the Hulk. The Fantastic Four got their powers through a form of radiation. In the back of my mind, I wonder if the radioactive particle might activate some recessive mutant gene or possibly Terrigen mists like the Inhumans to which I may have been unwittingly exposed. read article

LB: WGAW & WGAE Ask Members for Strike Authorization Vote

by Larry Brody

As usual (don’t trust us, google Writers Guild of America AMPTP negotiations over the past two decades and see for yourself), the AMPTP is stonewalling the Writers Guild on all fronts during the early negotiations.

It’s a thing they do because, well, because they think it shows the contempt they feel for our oh-so-unnecessary-selves. (“We don’t really need writers because any one of us could do what they do if we just had the time” has been a mantra since the early days of silent films.) read article

Peggy Bechko’s World of Stand-up (Sit Down?) Writing

by Peggy Bechko

Sitting or Standing – oh, what the *&^%!

We’re writers. We end up sitting a lot.

We’re no doubt aware of the fact that sitting a lot isn’t really good for us. There are studies that claim to show how very, very bad it is by informing us all that it increases the risk of type 2 diabetes and of course cardiovascular disease. It also leads to obesity and back pain. In fact it could be killing us (duh – look at what sitting all day causes). read article

More Aliens than Asians on Screen: White-Washing Ghost in the Shell

by Kathryn Graham

This month, Ghost in the Shell will be released with Scarlett Johansson, a white actress, cast as Japanese character: Major Motoko Kusanagi. This is a process known as ‘white-washing’: Hollywood’s long-standing racist practice of casting white actors as characters of color.

In the 1930’s, we had ‘yellowface’: ‘Predictably, Asian Americans actors would spend most of the war years cast as sinister Japanese, often in films now viewed with some embarrassment. There were still “good Asian” roles being written–but they were restricted to Caucasian actors while Asian Americans played the villains.’

In 2017, we have white-washing, which is not the same thing, but still casts white people in roles that should have been Asian roles. The result: there are almost no roles for Asians on screen even in stories where the characters in the source material were Asian. read article

Ethics in TV Storytelling from ClexaCon: Part II

Ethics of Storytelling at ClexaCon: Continued from Part 1 

About that writers’ room, how does that factor into ethical storytelling? What is the role of a showrunner? How much do an author’s intentions and opinions matter? And is anyone on TV writing queer female characters ethically? read article