Lindsay Ellis’ Guerilla Video at Its Finest

Look what we found on YouTube! That’s right, a video essay totally fucking over YouTube with every bit of the quality usually found only in New Yorker criticism.. You don’t have to be a Lindsay Ellis fan to enjoy this:

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The Latest Episode by People’s Pilot 2018 Special Web Series Award Winner

Vesta Giles, winner of the PEOPLE’S PILOT 2018 Special Web Series pilot script award has made her directorial debut on YouTube via Telus Storyhive, a Canadian production company currently giving out production grants to those who need and deserve them.

Vesta has promised to write an article telling us all about Storyhive, which we will be running in the next couple of weeks. Meanwhile, here’s When I’m Dead, a short film filled with joy both because of and in spite of the title.

(EDITOR’S ADMISSION: We here at TVWriter™ love this and have a pretty good feeling that you will too.)

Indie Video: Robin Nystrom has Polished his Art to a High Sheen in New Series, ‘Tracy Buckles’

In a world where spells and potions are commonplace, a young woman named Tracy Buckles is struck by a despicable curse that prevents other people from hearing her voice.

She joins forces with a nameless drifter and a bumbling wizard in order to break free from the evil sorcery. With a dynamic female lead, plenty of irreverent humor and a sprinkle of magic, TRACY BUCKLES tells an epic story across six fast-paced episodes.

Robin Nystrom, the multitalented writer/director/producer of one of our favorite web series, NicoLife, has a new show for us all to see – and it’s even better than what came before.

Taking advantage of Robin’s varied skills, we asked him to tell us all about Tracy Buckles. Specifically, we were interested in what he, as the creator, wants the show to accomplish, artistically, personally, and professionally. Here’s what he had to say:


by Robin Nystrom

When I wrote and directed Tracy Buckles, I set out to accomplish three things.

First, I wanted to craft a comedy web series with fantastical storytelling elements.

At the age of seven, I discovered a paperback copy of J.R.R. Tolkien’s The Fellowship of the Ring in my elementary school library. Ever since then, I’ve been hooked on the fantasy genre. I was dying to create a world of my own where spells, potions and curses can be as commonplace as toasters and televisions are in our own reality.

Second, I wanted to devise a story with a dynamic, kick-ass female lead.

The qualities I hope our audience will recognize in Tracy is that she is brave and headstrong and impulsive. Those are some of the characteristics that I’ve often found in the women I look up to in my life.

Third, I wanted to tell a complete narrative with strong thematic resonance over six fast-paced episodes.

In Chapter 2, our protagonist Tracy meets a nameless drifter called No One who is plagued by a curse of invisibility. Tracy and No One form an immediate friendship, because they both understand the pain of not being seen or heard.

I think we’ve all felt that struggle in one way or another — the pain of not being listened to or of being misunderstood. I know I have. I hope that people find that theme to be strong enough to carry our web series through to the end.

I intend to use this web series as a springboard for my future endeavors as a filmmaker. I hope we can spread the show far and wide and that we can connect with viewers who like the kind of stories that I love to tell.

In late 2018, we brought Tracy Buckles to ten film festivals all over the world, and I’ve already had the chance to meet other filmmakers and hear their feedback on the project. I hope that dialogue will continue as our audience grows.

Looking ahead, beyond this particular project, I am also hard at work with a feature length screenplay. My dream future would be that I could go full-time with writing and directing my own screenplays.


Watch Tracy Buckles:

On Vimeo: https://vimeo.com/album/5807934

On the official Tracy Buckles website: https://www.tracybuckles.com

See the 30-second trailer: http://vimeo.com/tracybuckles/trailer

Awards:

TRACY BUCKLES has been screened in 10 film festivals, including LA Film Festival, iTVFest, NYC WebFest and Dances with Films.

During its festival run, the show won three awards:

Best Produced Series,

Best Young Adult Series, and

Best Actress in a Web Series.

The show was nominated for ten awards, including:

Best Series Director,

Best Sci-Fi Fantasy,

Best Representation of Women,

Best Comedic Performance, and

Best Overall Web Series.

Oh, and you can read about Robin’s earlier series, NicoLife, here: https://tvwriter.com/?p=31326

And here: https://tvwriter.com/inside-nicolife-the-web-series-lb-luvs/

Not bad, yeah?

Indie Video: The Return of ‘Sam and Pat’ – – @brisownworld

 by TVWriter™ Press Service

TVWriter™’s favorite web series creator, Bri Castellini and her partner, Chris Cherry are at it again!

Sam and Pat Are Depressed, the award-winning comedy mental health web series, is back for its second season, with the first episode premiering March 25th, 2019, on Stareable and SeekaTV.

As part of the marketing push for the much-anticipated new episodes, the stars and executive producers Bri Castellini and Chris Cherry have also launched a companion podcast called Bri and Chris Are Depressed, as well as added new Stareable Enrich tiers for fans of the series to get early access to both the web series and the podcast as well as exclusive bonus updates and content.

The web series Sam and Pat Are Depressed follows depressed roommates Sam (Castellini, also the series’ creator) and Pat (Cherry) who help each other navigate the inherent awkwardness of therapy through profanity, humor, and take out.

The second season will cover the complicated emotions that are part of such activities as going on medication, mansplaining to your therapist, and more. Watch on Stareable or SeekaTV.

The Bri and Chris Are Depressed podcast, hosted by Castellini and Cherry, recaps Sam and Pat episodes one by one while also delving into the hosts’ own connection to the various therapy and mental health topics and answering viewer and listener questions.

The podcast is available on iTunes, Spotify, YouTube, Radio Public, or your preferred podcasting app.

A Few Words About the Stareable Enrich tiers

Stareable Enrich empowers creators to offer freemium versions of their content so fans can support the shows they love. Sam and Pat have 2 monthly tiers available for fans, for $5 and $10 a month, each with
accompanying bonus content and early access. More information available at the link above.

How to Write a Web Series and Get Your TV Writing Career Going

Ya gotta start somewhere, right? Here’s a post from Script Reader Pro pointing you in a direction that differs from most starting gigs – because in and of itself, writing a web series can be more creatively and financially rewarding than many of us imagine:

Yes, it’s true. This is a very bad visual pun. Our apologies.

How to Write a Web Series and Get Your TV Writing Career Off the Ground
by Rebecca Norris

Are you an aspiring writer still wondering how to write for TV years after starting down the road? We’re going to show you how writing a web series could be your best move ever if your main aim is to become a TV writer.

This isn’t a post on how to write a web series but here are three reasons why creating your own web series is the best thing you can do to learn how to become a writer for TV.

Wondering How to Become a TV Writer? Write For TV.  

What better way to show you can write for TV than actually writing for TV? If you want to know how to become a  TV writer and produce TV shows, why don’t you live that dream today?

Maybe you can follow in the footsteps of Issa Rae, whose popular web series The Misadventures of Awkward Black Girl led her being repped by UTA and 3 Arts Entertainment, and writing for TV — i.e. ABC and HBO.

Create your own TV series on the web, and you can enter it into festivals and contests to win awards and recognition, and gain credibility. If you earn a steady following on sites like YouTube, it can help you pitch your series to networks, and build a fan base for your work.

At the very least, you’ll be seeing your writing come to life, and isn’t that the goal of most aspiring TV writers?

Aspiring TV Writers Should Utilize the Power of the Link!…

Read it all at SCRIPTREADERPRO.COM