Love & Money Dept – TV Writing Deals for 7/25/14

Latest News About Writers Who Are Doing Better Than We Are
by munchman

  • Billy Eichner (BILLY ON THE STREET) has a deal to write an untitled “comedic take on Hollywood and pop culture…as a book for Hachette Book Group. (Hachette, you may recall, is the publishing house that Amazon’s been slugging it out with. Congratulations, Billy, on getting your big writing op with a book that nobody will be able to buy from the world’s largest bookseller. Oh, dear, that didn’t come out quite right, did it?)
  • Dustin Lance Black (MILK) is adapting A. Scott Berg‘s Pulitzer Prize winning bio, Lindberg, into a limited TV series to be produced by Paramount TV.  (Cuz Nazi sympathizing one-shot wonder manly man flyers are the kind of thing the TV audience just loves to eat up. My munched-up self can’t help but think that this ain’t gonna be the hit somebody’s thinking it will. But what do I know?)
  • Cris Cole (UK’s MAD DOGS) has written the pilot for a U.S. version of the series for Amazon Studios. (Cuz why make crappy $$$ writing for the best TV system in the world when you can make slightly less crappy $$$ writing for what yer friendly neighborhood munchman would bet his soul on – if I had one – will end up the worst?)

munchman reads “Comedy Writing for Late-Night TV” by Joe Toplyn

by munchman

The Good:

  • This is a serious and very well-intended book packed with useful tips
  • It breaks the late-night TV genre down to its basic elements and tells the reader exactly what to prepare for when writing monologues, desk bits, sketches, parodies, audience bits, remotes and the like – the staples of late-night TV
  • In other words, you won’t find anything anywhere that’s more complete

The Not So Good:

  • This thing is so serious and well-intended that it’s only available as a paperback. That’s right – no Kindle version yet, which means it’s kind of expensive ($20.69 at Amazon as ze munchedman writes this)
  • Joe spends a lot of time telling us what he’s going to tell us until he finally gets around to actually telling it, which if you’re a ADHD kinda person can getcha kinda…restless

Recommendation: read article

About James Garner

A lot has been written in the past week about James Garner and his illustrious career. But probably the most complete – and completely entertaining – obit/bio the TVWriter™ minions have seen appeared last weekend from the sometimes hemorrhagic but always magical keyboard of Our Favorite Brit Blogger, Keef Telly Topping Himself:

by Keith Telly Topping

The TopsterThe film and TV legend James Garner has died at age eighty six, TMZ has reported. The star of The Rockford Files and The Great Escape was found dead when an ambulance arrived at his Los Angeles home around 8pm on Saturday evening. Amiable and handsome, James Garner obtained success in both films and television, often playing variations of the same charming anti-hero or conman persona he first developed in Maverick, the offbeat Western series which shot him to stardom in the late 1950s. ‘I’m a Spencer Tracy-type actor,’ he once noted. ‘His idea was to be on time, know your words, hit your marks and tell the truth. Most every actor tries to make it something it isn’t looks for the easy way out. I don’t think acting is that difficult if you can put yourself aside and do what the writer wrote.’ Born James Scott Bumgarner in Norman, Oklahoma in April 1928, James was the youngest of three children. His two older brothers were the actor Jack Garner (1926 to 2011) and Charles Bumgarner, a school administrator who died in 1984. Their mother, who was said to be of part Cherokee descent, died when James was five years old and James grew to hate his stepmother, Wilma, who allegedly beat all three boys. When he was fourteen, Garner had finally had enough and after a particularly heated battle, she left for good. James’ brother Jack commented, ‘She was a damn no-good woman.’ Shortly after the break-up of the marriage, James’s father, Weldon, a carpet layer, moved to Los Angeles, while Garner and his brothers remained in Norman with relatives. After working at several jobs he disliked, at sixteen Garner joined the Merchant Marine near the end of World War II. In 1995, he received an honorary doctorate from The University of Oklahoma, in his home town. When speaking at the event he took the opportunity to remind the officials who had invited him to speak, of the circumstances of his original departure. ‘It’s nice to be invited back as a VIP after being run out of town on a rail!’ At seventeen, he joined his father in LA and enrolled at Hollywood High School where a gym teacher recommended him for a job modelling bathing suits. ‘I made twenty five bucks an hour,’ James recalled. ‘That’s why I quit school. I was making more money than the teachers. I never finished the ninth grade!’ He never did graduate, explaining in a 1976 Good Housekeeping magazine interview: ‘I was a terrible student, but I got my diploma in the Army.’ He served in Korea for fourteen months with the Fifth Regimental Combat Team. He was wounded twice, firstly in the face and hand from shrapnel fire from a mortar round and secondly in the buttocks due to ‘friendly fire’ from US fighter jets as he dived head first into a foxhole. James was awarded the Purple Heart for the first injury (and not, as often inaccurately reported, for ‘getting shot in the arse’, a story which James himself reportedly enjoyed telling gullible journalists). Jim Rockford AKA the Rockman (or not)He did, finally, receive a second Purple Heart in 1983, thirty two years after his injury. Garner was a self-described ‘scrounger’ for his company in Korea, a role which he later played in The Great Escape and The Americanisation of Emily. In 1954 a friend, Paul Gregory, whom James had met while attending school, persuaded Garner to take a non-speaking role in the Broadway production of The Caine Mutiny Court Martial, where he was able to closely study Henry Fonda in the lead role. Garner subsequently moved to television commercials and eventually to TV drama roles. His first movie appearances were in The Girl He Left Behindand Toward The Unknown both in 1956. After several further minor movie roles, includingSayonara with Marlon Brando, Garner got his big break on TV playing the part of the professional gambler Bret Maverick in the comedy Western series Maverick. James was earlier considered for the lead role in another Warner Brothers Western series, Cheyenne, but that role went to Clint Walker because the casting director reportedly couldn’t reach Garner in time (this, according to Garner’s autobiography).

For more about James Garner in what may be the interweb’s longest paragraph, ya gotta go HERE.

Love & Money Dept – TV Writing Deals for 7/22/14

Latest News About Writers Who Are Doing Better Than We Are
by munchman

  • David Hollander (HEARTLAND) is adapting  Nicholson Baker‘s novel, The Fermata into a series for Paramount Television. (The book, written way back in 1994 is about a guy who can stop time and uses this ability to embark on a series of sexual assaults adventures. So it could be fun – or something quite the opposite of fun after it’s been televisionized.)
  • Craig Zadan & Neil Meron (BONNIE AND CLYDE) are developing a Universal TV comedy series about pro soccer player Robbie Rogers “the first opening gay man to compete in a top North American sports league.” (Cuz homosexualilty=funny. Yeah, Right. You can hear me laughing already.)
  • Teena Booth, Inon Shampanier, Natalie Shampanier and Stephen Kay are supposedly writing the script for the Lifetime Television Movie BEAUTIFUL AND TWISTED, a story of murder and the usual accompanying badassedness in Miami Beach. (Marvelous munchie says “supposedly” cuz 4 writers seems way too many for the WGA’s rules to allow. Not to mention for the terrible result that’s sure to follow, especially considering how little money is going to be divided all those ways. Sigh….)
  • Rene Echevarria (TERRA NOVA) has a development deal with Legendary TV. (This is what’s called a “blind deal” cuz the execs who hired him don’t see so well. No, wait, just kidding. It’s a blind deal because although Legendary has committed to 2 scripts no one’s decided what they’ll be yet. This means Legendary trusts Rene, and el muncho definitely thinks that’s the right attitude. Dood shepherded DEEP SPACE NINE and TEEN WOLF to ultrasonic success, right? Congrats to the smart buyers. Oh, right, you too, Rene bro!)

Love & Money Dept – TV Writing Deals for 7/20/14

Latest News About Writers Who Are Doing Better Than We Are
by munchman

  • Ed Bernero (CRIMINAL MINDS) is the showrunner for NBC’s upcoming spy drama STATE OF AFFAIRS. (Which means that if you’re looking for a gig, time to call your ole buddy and let me know how available you are. Unless he isn’t your ole buddy, in which case, have your agent peeps call him instead.)
  • Mike Sikowitz (THE McCarthys) & Mike O’Malley (SHAMELESS) are writing the pilot for Bill Cosby’s new NBC series called HOW BILL COSBY SINGLE-HANDEDLY SAVED NETWORK TV…or not, who the hell knows?(One thing we do know: Cosby has the reputation for being the worst boss in TV, a tyrant who makes Roseanne look like a sweetheart, so lotsa like and long life from the munchman to Mike and Mike!)
  • Maya Ilsoe(no credits in the press release) has sold THE LEGACY, a Danish series about – well, it doesn’t really matter what this is about cuz it’s a soap opera) to Universal Cable which hopes to make it an “event series” as though changing the name will change the animal itself. ‘Scuse me while I yawn, my friends.)
  • Steve Esmail (COMET) has sold the drama MR.ROBOT, about a computer hacker who protects people without ever having to deal with them personally, to USA Network. (Yeppers, that’s gonna be a good one: An anti-social hipster sitting at a PC all day, going from house to coffee shop to parking lot…whoa, Yer Friendly Neighborhood Munchman simply cannot wait for this baby!)