LB Sees WINTER’S TALE

Winter_s_TaleAww…a love story – hey, waitaminnit–

The Good:

  • They made a film out of my wife Gwen the Beautiful’s favorite book
  • It stars Collin Farrell’s eyebrows
  • They let a really big deal successful writer – Akiva Goldsman – direct (this is especially important to writers)
  • Much of it is taken right from the book

The Not-So-Good: read article

LB: What Was It Like to Work with Lynda Carter & Loni Anderson?

 Glad You Asked Dept. 2/24/14

Lynda_Carter2Today’s question is about two of network television’s hottest, um, babes. If I can say “babes.” (Oh well, my wife Gwen the Beautiful undoubtedly will set me straight after she reads this.)

Where were we? Oh, right. Today’s question is about two of the most popular female stars in TV – in the ’70s, that is. Lynda Carter, AKA Wonder Woman, and Loni Anderson, AKA Jennifer Marlowe.

Loni-Anderson read article

LB: Where Did THE FALL GUY Live?

Colt-in-the-tub

Glad You Asked Dept. 1/27/14

Today’s question is about THE FALL GUY, an ABC action series (I think the network referred to it as drama, but…c’mon!) starring Lee Majors, Doug Barr, Heather Thomas, and Markie Post. Another actress played Markie’s part the first season, but I didn’t like her very much so why even mention her name?

I enjoyed my time producing the show – I must have, I served two separate stints there, executive producing the short-lived AUTOMAN in between. After years of writing “serious” drama like POLICE STORY, MEDICAL STORY, MEDICAL CENTER, and the like, THE FALL GUY was a terrific change of pace, filled with mindless action and humor.

Lee’s character, Colt Seavers, was a stunt man who moonlighted as a bounty hunter, and he never – I mean never – rang a doorbell or knocked when he went to anyone’s house. Instead, he and his trusty sidekick, Doug Barr’s Howie Munson, would rappel up to the most out-of-the-way top story balcony or window they could find. Because…stuntmen, you know? read article

LB Votes for the 2014 WGA Screenplay/Teleplay Awards

Online ballots were due Friday, so I figure it’s safe to show how I voted now that I can no longer influence anyone. (As if that ever could’ve!)

TV Series

WGA-2014-TV-Ballot

Movies

WGA-2014-Screenplay-Ballot

Yeah, I expect some, if not most of you, to disagree. But them’s my votes, gang!

LB Answers Your Questions about Animation Writing

Finn_writing_his_poem

Well, maybe not your questions, but those from a certain DP for sure. Here’s what he wrote:

I’m working on a half-hour animated show for the People’s Pilot. How should I gauge my Act lengths, or even my script as a whole? I’ve got a few THE SIMPSONS production scripts that I use as a guideline, each one about 50 pages, though that is longer than what most websites say, and longer than past winners I have looked at for the People’s Pilot (they tend to cap at about 30). Is there a general standard on how many pages each act should be/the script as a whole? It feels incredibly hard to tell. And I don’t understand why single-cam vs multi-cam shows should have different script lengths. read article