LB: Why I Never Write for Actors Whose Work I Adore

freddie_prinze_jrIt’s a sad fact of my professional life that over the years, the actors I’ve most admired for their acting skill have almost always turned out to be thoroughly disappointing (as in detestable) human beings when I’ve actually worked with them.

For a long time now I’ve thought that the problem was within me. Maybe I expected too much? Maybe my writing was suffering because of the awe I felt in the very presence of the Great Ones? Or was there more to it?

Recently, I encountered a quote from Freddie Prinz Jr. on the very same subject: read article

LB: Where Can I Find a Ghost Writer for my Idea?

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Glad You Asked Dept. 6/26/14

Today’s question is one that I get several times a week, and which I feel like I’ve answered even more than that. But over the years my answer has changed, so even if you think you know what I’ll say, read on and be…surprised?

Here’s the question, from Ilana R:

Hi LB. I’m hoping you can give me some advice. read article

LB Sees CROSSBONES

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The Good:

  • The first episode of CROSSBONES plunges us right into an action-packed story with a rousing sea battle.
  • John Malkovich joins the ranks of great TV actors of 2014. (A year filled with great TV actors, btw.)

The Not-So-Good: read article

LB: World Book & News is Now – sob – History

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L.A.s primo newsstand, World Book & News, located at Hollywood Blvd and Cahuenga in the depths of Hollywood, has closed after 78 years. Science fiction writing great Harlan Ellison introduced me to what absolutely had to be the world’s greatest newsstand in the late ’60s, shortly after I first arrived in L.A. Harlan’s not the only guy I’d hang with there. Comedian Mort Sahl was often there when I was. And writer-pal Gerry Conway, known to TV viewers as a former producer in the LAW AND ORDER franchise and to comic book fans as “the writer who killed Gwen Stacy.” Actually most of my friends frequented World Book & News. The place was quite simply kind of an oasis for creative souls.

For 35 years, WB & B was a twice weekly destination for me, whether I was living in Laurel Canyon (actually, not just anywhere in Laurel Canyon but at a certain house on Wonderland Avenue long associated with some people called The Doors), the Valley (well, not just anywhere in the Valley but 3 doors down a Studio City hill from Patrick Swayze and 8 doors down that same hill from then L.A. Mayor Sam Yorty), or in the ranchy communities of Hidden Hills (next door to Jo Swerling Jr., whose father wrote GUYS & DOLLS) and Hidden Valley (across a very narrow road from Brockett’s Film Fauna, home of just about every exotic animal you’ve ever seen on film – including 40 gaters and crocks). read article

LB: How Visual Does An Animated Teleplay Have to Be?

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Glad You Asked Dept. 5/19/14

Today’s question is about animation writing, and since things are constantly changing, let’s get to it before everything I have to say becomes obsolete.

First, the question, from Dave P:

Hey, LB, when developing an animated series, how much of visual does the writer need to know for the script, and how much is figured out with collaboration between the writers and the art department? read article