Herbie J Pilato: PERRY MASON as a Primer for TV Pilot Creators

perry masonby Herbie J Pilato

Perry Mason originally aired on CBS from 1957 to 1966, and starred the great Raymond Burr in the lead, with Barbara Hale as his trusted assistant, Della Street; William Hopper (son of Hollywood gossip legend Hedda Hopper) as detective Paul Drake, and William Talman as Hamilton Burger, the poor district attorney, who Mason always clobbered in court.  Ray Collins, Wesley Lau, and Richard Anderson (Oscar Goldman from The Six Million Dollar Man and The Bionic Woman) rounded out the additional legal-law enforcement cast in various roles over the years.

Perry Mason was more than just a precursor to countless lawyer shows to follow, including LA Law, Law & Order, and Boston Legal, among others.

Mason was based on a series of best-selling mystery novels created by attorney-novelist Erle Stanley Gardner, which were transformed into a CBS radio show – with soap-opera elements – that aired from 1943 to 1955.  When the radio series became the now iconic Raymond Burr show, the soapy serial slant was shelved.  But in 1956 (two years before the Burr series debuted), the original radio format was transplanted to the TV daytime serial, The Edge of Night (complete with the PM radio production staff and most of the cast, who were given new character names), where it remained until December 1984. read article

If MAD MAX FURY ROAD Got TV Network Notes

The reality TV producer whose blog goes by the name Jeez Jon has a few words about the efficacy of network notes…as in how much they would have “improved” the latest and hugely successful version of MAD MAX

anothermadmax

NOTE: The following contains spoilers for MAD MAX: FURY ROAD. If you do not wish to be spoiled, please stop reading now. If reading network notes makes you turn red from frustration, please consult your physician. read article

Diana Vaccarelli Sees 50 SHADES OF GREY

50-shades-of-grey-blindfold

50 SHADES OF GREY IGNORES ALL THE GREY AREAS
by Diana Vaccarelli

I’m not ashamed to admit that I’m a fan of the Fifty Shades of Grey Novels written by E.L James. So when Hollywood announced that it was adapting these novels into film I was excited. I was intrigued to see how the story would translate to the big screen.

The story follows Anastasia Steele as she meets and begins a relationship with the mysterious Billionaire Christian Grey.  They first meet when Anna interviews him for an upcoming issue of her college magazine. After this encounter Christian becomes intrigued with her and pursues a less than conventional relationship.

This film has its surprising moments.  The biggest one is when she is introduced to the world of BDSM. This is a shock to the naive Anna.  Christian then hands her a contract about this relationship and the expectations.  Anna doesn’t sign right away and wants to do research. She does the necessary research and they have an affair of an epic nature. read article

John Ostrander: When a Superhero’s Creator Meets the Actor Playing Him on TV

TV Suicide Squad

It’s always Halloween at the Con
by John Ostrander

Before I was a professional comic book writer, I was a fan. I still am. I was going to comic cons long before I turned pro. Some are good, some are not so good, and some are the San Diego Comic Con which is too large to fit into any category. For me these days, cons are mostly working weekends where I meet with fans and fellow pros, sign some autographs, maybe sell a few of my trade paperbacks.

Last weekend, I and My Mary were at the Motor City Comic Con in Novi, Michigan, and we had a great time. It’s close enough to where we live so that we could just drive there and the Con gave us a hotel room so we didn’t have to drive back and forth. The cats weren’t pleased that we were gone but they survived and, once we fed them, forgave us our absence.

Last time I had been to Motor City was maybe a decade ago and it has really grown. My understanding is that they had over 50K attendance over the three days this year. It was large but not too large and, while it had a nice selection of media guests, it was still a con focused on comics. read article

Peggy Bechko Lays Down the Law: Write Gripping Tales

"Gripping tails." Get it? Huh? Huh? Oh well, sorry, Peggy
“Gripping tails.” Get it? Huh? Huh? Oh well, sorry, Peggy

by Peggy Bechko

A writer writes, but let’s face it that writer also wants to and needs to sell. So the ideas he or she puts out there have to be good ones. Gripping, engaging, exciting, maybe funny. Every writer I know has more new story ideas tucked away in files on computers than can be counted. And most of them are good ideas. But are they GREAT ideas, because that’s what a writer needs to get that work sold whether a screen script or a novel or an article pitch.

So that leads us to the question. How to take one of those good ideas and make it great, a gripper if a novel, a high concept if a script? One that’ll hook the reader whether editor or script reader or your fans.

I’m going to focus mainly on the screenwriter here since we are on TV Writer, but really the principles apply broadly. The truth of the matter is a new twist on that old, yet good, idea is needed. Something that will make the story more compelling and fill seats in the theater or glue eyes to the novel’s page. The “high concept” in the movie biz. And a ‘high concept’ is: A story the writer can pitch in one good sentence that will allow a film exec or an editor to instantly visualize the story. read article