That’s it for now. Write in and tell munchilito what you’ve sold today. TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)
Month: November 2014
“Good writers are hard to find”
So sayeth the television industry. No, not the U.S. industry but worldwide. Everybody in power says they’re looking for good writers but just can’t find them. Over here at TVWriter™ we think it’s all about definitions, as in “What are those so eagerly seeking “good writers” really looking for?
Sparing no expense, we’ve scoured the globe for more info on this situation. Here’s what we think is the most interesting take, direct from…Mumbai:
by Ritwika Gupta
MUMBAI: The heartbeat of any television programme lies in its story and content. Developing good content through various ideas and imagination is a significant priority for television channels and producers. Story-telling, as they say, is an art and the small screen is constantly looking for compelling scripts that tell stories which entertain, engage and enrich the audience. Over the past few years, the Indian television industry has been exploring new formats and series of programmes in order to give the viewers an excellent TV viewing experience.
Love & Money Dept – TV Writing Deals for 11/23/14
That’s it for now. Write in and tell munchilito what you’ve sold today. TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)
Humanitas Prize Finalists Announced
From the lips of the Humanitas Foundation to, um, God’s ears? (Well, ours anyway.)

by Team TVWriter™ Press Service
40 years ago, the Humanitas Prize was created to honor television and film writers “whose work explores the human experience in a way that both entertains and enlightens.” A worthy goal if ever there was one. This year, 31 writers, including some genuine Big Names, are finalists in eight interesting – and quite specialized – categories for the 40th annual Humanitas Prize. These writers are competing $90,000 in prize money to be handed out at the annual luncheon January 16 at the Beverly Wilshire Hotel.
Are TV Showrunners Paying Too Much Attention to Fans – or Too Little?
Well, well, lookee here, kids. The interwebs, which we’ve always seen as empowering fans, may in fact be taking away their power instead. Seems that all this fan attention has turned showrunners into diva-like creative gods. Personally, we don’t see anything wrong with writer-auteurs…but we may be a little biased:

TV Writers and Showrunners Increasingly ‘Mute’ the Fans
by Drew Grant
Back in the day, television writers would get feedback about their shows in one of two ways: from the occasional review in a publication, or from the ratings. Then around the late ’90s, shows like The X-Files and Buffy the Vampire Slayer ushered in an era of fandom; viewers were empowered by the Internet and its burgeoning fandom communities. Note that the people who were early adopters to message boards and listservs had a certain bias in what they favored: geeky, cerebral shows that rewarded vigilant, and recurring, viewings. Think Twin Peaks. Think, later, and for another generation,Lost. Think what we’ve come to understand as the (new) Golden Age of Television, co-created equally by its writers and its most passionate fans.
