Love & Money Dept – TV Writing Deals for 10/22/14

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Latest News About Writers Who Are Doing Better Than We Are
by munchman

  • Mike & Julie Scully (THE SIMPSONS) have sold their spec sitcom, RAISING ADULTS to ABC. (And guess what? This one has a terrific logline about “a married couple hwo, over the course of 20 years of parenting three children, have gone from saying, “They grow up so fast” to “Will they ever grow up?” Stay-at-home kids have been done before, yes, but this time it’s actually about the parents, making this show if not “new and different” at least, “different,” and in TV these days I think that’s close enough.)
  • Neil Goldman & Garrett Donovan (THE IT CROWD) are re-booting the English hit series THE IT CROWD for the U.S., on NBC, no less. (Yes, my children, if you’re thinking, “Didn’t NBC already try this in the U.S. a few years ago?” you’re absolutely right. But creative bankruptcy is its own currency, which, evidently, Neil and Garrett are happy to take, so here the puke-cock network goes again. Sigh.)
  • David Israel (ABOUT A BOY) is writing a comedy about the sex life of bad actor Armie Hammer of THE LONE RANGER infamy for NBC. (Cuz Armie turns out to be really funny in bed, yer friendly neighborhood munchkin supposes. Or maybe it’s cuz he’s the great grandson of rich old dood Armand Hammer and Armand refused to pay the blackmail money. Who the &!%$ knows?)/li>
  • Peter Huyck & Alex Gregory (FRASIER) are an NBC comedy pilot about “a worldly, adventurous, and newly sober narcissist…back in his hometown making amends to his kids, his ex-wife, her second ex-husband and their younger son,” none of whom is too crazy about the idea. (Sounds to moi like this should’ve been written for my man Charlie Sheen, but it’s got Rob Lowe attached. Oh well, close enough!)

That’s it for now. Write in and tell munchilito what you’ve sold today. TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)

Herbie J Pilato: The “Doors” on TV – and the importance of creative consistency

BEWITCHED front-door1by Herbie J Pilato

No, I’m not talking about Jim Morrison and his legendary rock band.

But what I am addressing are the physical front door props, on the exterior and interior, of certain television shows, and how their consistency or inconsistency is pertinent, representative and conducive to the true success of any given series – and the creative process in general.

For example, Bewitched.  And I know what you’re thinking:  “Really?  Did he reference Bewitched…AGAIN?” read article

Network Notes and the Reason They Exist

Speaking of an audience learning to love ambiguity, welcome to those who are, well, terrified of it, actually:

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My Latest Rant
by Ken Levine

Even though I know I’m just howling at the moon… read article

Love & Money Dept – TV Writing Deals for 10/21/14

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Latest News About Writers Who Are Doing Better Than We Are=&0=& (THE FINEST HOURS) is developing LIFE IN THE SHADOWS, some whacked-out FBI-witness protection abomination that the production company, Landscape Entertainment, hopes to sell to some network somewhere, some time. (Sorry, sorry, this really is no news at all. In my defense, all I can say is Landscape’s PR person made me cover this. Promised me a big scoop on their next big project, so how could a mere muncher resist?) =&1=& (Hey, they’re a big deal writing trio at the BBC) are writing the pilot for NBC’s THE SPENCER TAPES, a comedy about “a…college professor who rediscovers his old camcorder tapes and realizes that life hasn’t turned out the way he’d hoped.” (And if that doesn’t sound funny enough, consider this: The professor’s all of 30 years old, so, yeah, of course his life and chances are already over cuz…30, y’know?)

That’s it for now. Write in and tell munchilito what you’ve sold today. TVWriter™ can’t wait to brag to all your friends. (And, more importantly, enemies. Hehehe….)

Peggy Bechko: Rewriting is Hell

Full wastepaper basket

by Peggy Bechko

Rewriting is hell, right?

Nope. Not when you can goose the effectiveness of your writing and create a really outstanding script or manuscript.

Have you heard from a producer, “there’s nothing wrong with your script, it just needs a rewrite.”? read article