You thought The Good Place was profound?
Emma Fraser knows the Truth. (And so does Mr. Robot. Bwahh!)
HOW MR. ROBOT TURNED A DYSTOPIAN LANDSCAPE INTO A UTOPIAN FINALE
by Emma Fraser
The world of Mr. Robot isn’t too dissimilar from the current political and social landscape; the one percent of the one percent have an exorbitant amount of power, and this level of control has led to overwhelming wealth disparity. Over four seasons, hacker Elliot Alderson (Rami Malek) took on those who “play God without permission” to break the system, which hit a lot of bumps along the way. His original target was E Corp, one of the world’s largest multinational conglomerates (often referenced as Evil Corp). It isn’t a subtle name, but when veering into a dystopian landscape, nuance often gets left at the door.
Debuting in 2015, the main action of the entire series takes place across that particular year, revealing a “darkest timeline” version of a period that was already pretty messy IRL. However, the nightmare landscape shifts in the final season, offering up a semblance of hope about our collective future. In the final episodes, this contrasts with the image of a personal utopia turned hellscape. At the center of the story, an identity constructed out of trauma underscores why authentic personal connections are ultimately more important than imagined ones.
Mr. Robot is a show that doesn’t always spell out what is imagined, so when Elliot wakes up in the seemingly perfect alternate reality at the start of the two-part finale, questions stack up. Whiterose (BD Wong) claimed she could transport someone to a better version of their life; maybe she wasn’t lying after all?
In this other place, Elliot’s parents are both alive, and so is Angela (Portia Doubleday) — she was murdered in the Season 4 opener. Meanwhile, Elliot is not the hoodie-as-armor, anxiety-ridden figure we have spent four years watching….