by Julie Livingston
One of the best things about being a writer is I can do it pretty much anywhere, any time. I am free to practice my craft as often and as vigorously as I like – or at least as much as I can stand. I don’t need specialized equipment, an exotic location or studio financing. Best of all, I don’t need anyone else’s permission to do it (if you read that last sentence and though, “Yes, I do,” please stay tuned because I will talk about that in another column soon).
Writing, in most of its incarnations, is a solitary pursuit. And that is somewhat true for TV writing as well. But, as I am learning, writing isn’t the only skill you need to become a TV writer. In fact, some people I’ve talked to recently have hinted it might not even be the most important. In addition to being able to write, you also need to be what they call, “good in a room.” You need to stand out without stepping on toes. You need to speak up, but not talk too much. Your job, I am told, depends heavily on your ability to contribute to the group effort without derailing the process by going off onto a tangent, holding on to an idea too hard or failing to listen to what others are saying.
To be “good in a room” you need to know how to work with people according to a specific set of standards. For some people that might mean overcoming their natural shyness. For others it could be learning to curb the tendency to blurt out every idea that pops into their head. Basically, it all comes down to understanding the protocol and being likable, which is not exactly something you can practice alone in the middle of the night.
More genius from Grant Snider at 
Here are some handy tips on what NOT to do when writing a script:
by Amanda
by LB