Diana Black on Targeting Your Spec TV Script

Enjoy this cool visual metaphor found on the interwebs

 by Diana Black

Is there such a thing as, ‘The’ definitive television series? Perhaps once, in relation to narrative form and length of ‘season’. But gone are the days when series television originated solely from broadcast networks. Now thanks to Cable subscription and the Internet, not only has the viewing platform changed, but also the nature of what constitutes a ‘series’.

In other words, episodic storytelling has evolved. Does it matter? Well it kind of does – to us, as writers of content. You need to know from the outset, what ‘form’ of series you’re writing – Limited, Mini, or Regular series – because that will have a bearing on the narrative arc and on the number of episodes you envisage in your outline. If the objective is to sell it – duh, you need to determine who you’re going to pitch this ‘calling card’ to.

In relation to the narrative arc, think about what you’re trying to say, the intended media platform, and who’s likely to comprise the audience. Hazy generality won’t work here – specific tailoring is ‘mission critical’ if you expect a warm reception… unless you’re into just throwing it against the wall to see what sticks…for shame. read article

Web Series: ‘SIBS’ Goes Hollywood

by Dawn McElligott

What kind of a show would you and your sibling make?

Last month, real-life siblings, Kimberly and Bryan Scamman answered that question for themselves with a short film entitled, SUPER SECRET CANADIAN SPY MOVIE. read article

Dawn McElligott: RIVERDALE ‘REVISITED’ is RIVETING

by Dawn McElligott

In an age of rebooting vintage television, the development team for the new series RIVERDALE re-imagined a whole lot about Archie’s Comics for the CW network. Far from innocent adolescent hijinks, RIVERDALE has often been termed as ‘Archie Comics’ Meets Twin Peaks.’ What could have been a blasphemous mischaracterization of the milk shake slurping teenagers appears more as an updated twist on the beloved comic book characters.

The show’s development team includes Archie Comics’ Chief Creative Officer, Roberto Aguirre-Sacasa, who created the show and now serves as the Showrunner. Additionally, series hit-maker, Greg Berlanti, guides the show as executive producer along with Sarah Schechter and Jon Goldwater.

As of March 7, 2017 the series was renewed for a second season either in spite of or in light of weekly ratings hovering around 0.4, or slightly more than one million fans, the night it airs. During the week, its numbers improve to 0.8 considering delayed digital viewers bringing the audience to two million. read article

Dennis O’Neil: Priorities

Talia

by Dennis O’Neil

Hey, ja hear? Two Supergirl episodes were on the other night! ‘Course, I’ve seen ‘em all, but it was a pleasure to see ‘em again. You too?

And hey. Looks like the Cardinals won’t make the playoffs this year. Darn shame, if you ask me. But there’s always next year. One’a these years, the birds’ll go the distance.

Huh? You said something about water? read article

The 2016 PEOPLE’S PILOT Early Bird Entry Discount Ends in 2 Weeks

It’s quick heads-up for everybody planning to enter TVWriter™’s 2016 People’s Pilot Competition. (Which  should be all of you because new categories, new prizes, bigger prizes too!)

The regular price for the PP is $50/entry, but our Early Bird Discount cuts that by 30% to $35 if you enter by 11:59 pm Pacific Time on May 1, 2016. read article