
TVWriter™ is happy to welcome back ultra-talented indie writing, directing, and acting mayven Kate Hackett, rejoining us with another demonstration of her filmmaking love, joy, and creativity.

TVWriter™ is happy to welcome back ultra-talented indie writing, directing, and acting mayven Kate Hackett, rejoining us with another demonstration of her filmmaking love, joy, and creativity.

EDITOR’S ALERT: This is the sixth and final part of Stacey Jones’ discussion of The Falcon and the Winter Soldier and its place in the Marvel Cinematic Universe.
Like it says in the title of this post, a world of SPOILERS awaits below the thin red line. Oh and also an assumption that you’re familiar with the MCU!

Nathan Bransford, TVWriter™’s favorite publishing know-it-all, gives us advice that most writers desperately need. This time around he talks about age, and, no, we don’t mean ageism. Start reading and you’ll see what we mean.

Authors often get into trouble when they’re writing books for children or adults and end up blending the two in an awkward way. I’m here to clear up confusion around the differences between children’s books and adult books.


Last week I wrote about how to NOT write a good script. Today I’m taking the next step. Here it is, my take on:
HOW NOT TO SELL A SCRIPT YOU’VE WRITTEN
Two of the sexiest short plays of our time, available right here and now thanks to YouTube and Ken Levine, legendary sitcom writer-producer of shows like M*A*S*H, Cheers, Frasier, and many more.
We here at TVWriter™ may not be buddies of Ken’s (we don’t even know him – sigh), but we sure are major fans.
GO TO KEN LEVINE’S BLOG (You won’t regret it)