TVWriter™ Contributing Editor Emeritus Herbie J Pilato gives writers the scoop on adapting their work for TV and film. As usual, we’re talking short and pithy here. And as valuable as all get-out, for sure.
More tips from top writers courtesy of Author Learning Center are HERE
More about Herbie J Pilato is HERE
One of TVWriter™’s favorite sites goes all out with a detailed guide on how to write for TV. Our friends at Script Reader Pro have earned the blessing of our Beloved Leader, Larry Brody himself.
As an aspiring screenwriter, you may have noticed there’s quite a bit of confusing information out there regarding writing for television.
In this post, we’re also going to dispel many of the myths and confusion surrounding writing TV scripts.
Why should you as a visitor to TVWriter™ be interested in making audio fiction? Why should you be interested in making podcasts? Discoverability, that’s why.
The meaning of the word podcast is evolving to include any episodic, audio-only production whether nonfiction or fiction. Agents and major studios have started trawling through podcasts and their creators for new content and talent.
Not all that long ago, we told you that our fave philosopher-cartoonist, Grant Snider, had written his first children’s book and that it was available for pre-order.
Now we’re here to tell you to forget the pre-ordering stuff. What Color is Night is out and about for all our reading pleasure (yep, even including that of children).
Here’s what Mr. Snider his very self has to say:
Solutions Journalist Richard Davies shows his delight in the delights of podcasting, and we here at TVWriter™ are delighted to share. (Delighted with your professional title too, Richard. Solutions Journalist indeed!)
In the four-and-a-half years since leaving network broadcasting for podcasting, I have learned a thing or two, and un-learned a great deal more.