Robin Reed Reviews BATTLESTAR GALACTICA: BLOOD & CHROME

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by Robin Reed

I was glad to see that the new Battlestar Galactica movie, based during the first Cylon war and starring the young and enthusiastic Bill Adama, later to be the older and wearier Admiral Adama of the other SyFy series, was not a jingoistic rah rah war movie. It was more in the tradition of Vietnam War movies in which the reasons for the war are unclear and the motives of the leaders who order young people into battle are murky.

And yet, this movie is a jingoistic rah rah war movie, because as someone said, you can’t make an anti-war movie. War is exciting, and addicting. It is more interesting than getting a job and having a family. For many people, once they have experienced it, they want to go back to it. You can call it meaningless and question why it happens all you want, but just showing it is attractive to many people.

This movie takes place after the Cylons, robots created as warriors, then used as servants, have rebelled against the humans of the Colonies. (Ask colonies from where, and you get into the never-explained backstory of the original 1980’s Battlestar Galactica. They seem to be colonies from Earth, but when did they leave Earth? In the original show, the viper pilots had helmets that looked Egyptian. Did ancient Egypt have space flight? The show never said. Oh, and the Cylons were an alien race in the original show, they weren’t created by the colonies.) read article

The Writers Guild of America Wants Us To Know About New Ways of Doing TV Series Biz

For all practical purposes, the Guild has come to the same conclusions we posted here yesterday. But, especially considering how far behind the technology/market/New Media curve the Guild has been in the past, the WGAw perspective is well worth sharing.

So, direct from the WGAw’s latest e-mailing:

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by Team TVWriter™ Press Service (in other words, it’s a press release)

There was considerable media hoopla last week around the premiere of House of Cards, Netflix’s first original series. Written by Guild member Beau Willimon (The Ides of March), directed by David Fincher and starring Kevin Spacey and Robin Wright, the high-profile series reportedly cost $100 million for two 13-episode seasons and was a shining example of web TV at its flashiest. read article

Peer Production: For Your Delectation – A Short FIlm Written By Cleverbot

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…But, fortunately, produced and directed and acted by humans.

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Is the Traditional TV Paradigm Already Dead?

Gotta love the way the folks at Vulture.Com think. Oh, and we like the pic a lot too:

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Has NBC Passed the Point of No Return?
by Josef Adalian

It’s impossible to exaggerate just how bad a 2013 NBC is having. Over the last four weeks, the network has debuted three new series (1600 PennDeception,Do No Harm) and watched as viewers rejected each of them. New Tuesday comedies Go On and The New Normal, which seemed to be finding an audience in the fall, have seen their demo ratings cut nearly in half since losing their lead-in of The Voice. And then there’s Smash, which NBC Entertainment chairman Bob Greenblatt last summer called “an unqualified success” and top lieutenant Jen Salke labeled “highly anticipated by its fans”: It returned this week down nearly 40 percent from its May 2012 finale, and more than 70 percent versus its premiere a year ago. In less than 30 days, whatever slow momentum NBC seemed to be building since Greenblatt’s January 2011 arrival has almost completely vanished. Once again, NBC seems destined to finish the season an also-ran, just as it has every year since Friends went away in 2004. It’s time to ask the question: Is it possible to save NBC, or has it passed the point of no return? read article

ORPHAN BLACK is Coming to BBC America March 30th

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…And the trailer of this show is just plain awesome:

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