
Good morning! Welcome to another new week at TVWriter™. Today we begin with a look at our most popular blog posts and resource pages during the last 7 days.
They are, in order:

Good morning! Welcome to another new week at TVWriter™. Today we begin with a look at our most popular blog posts and resource pages during the last 7 days.
They are, in order:
We love this analysis of Al Pacino’s career and give our sincerest thanks to writer-researcher Stephen Follows for sharing not only his insight but his fascinating methodology. (Which is so unlike Mr. Pacino’s, erm, method of managing his acting career.)

In an interview last week, Al Pacino revealed that he enjoys starring in bad movies as he views it as a challenge to improve them to the point of mediocrity.
The unreliable narrator has long been a common device in literature, but it’s only recently that it has reared its challenging heard in our wonderful world of TV writing. Here’s some advice about how to watch and interpret some of the medium’s hottest new shows.

Narratives have long used framing devices when it comes to telling stories. What is “Arabian Nights” if not Scheherazade introducing the concept of episodic storytelling under the guise of staying her own execution?
The following is from The Onion, which of course means it’s totally fake, bogus, and, you know, in wonderfully bad taste.
It’s also pretty damn close to being a very troubling “truth.”

Any writer who says they’ve never asked themselves this question is – well, being at least a bit dishonest with themself, wouldn’t you say? Here are some tips from stage32.com.
See Stage 32’s screenwriting services: https://www.stage32.com/happy-writers????
See Stage 32’s webinars and classes: https://www.stage32.com/webinars???