Is there such a thing as a foolproof way of outlining and writing your pilot? Probably not. Hell, even the most major writer-producers with contracts guaranteeing a script will go to series often find that commitment ignored.
But where there are talent, knowledge, and craft there’s hope, and this video can provide you with two out of three of those ingredients. (The talent is up to you.)
The key to successfully writing for television is to remember that it is primarily a storytelling medium. All other considerations are secondary.
No one in TV is crazy enough to say that character and dialog don’t matter, but the truth is they don’t matter AS MUCH as story.
Cord Cutters News gives us the latest on the cord cutting front. This time around: YouTube TV’s New Channels, New NFL Deal, Pluto TV Additions and More
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The Writers Guild of America Awards winners were announced last night in a virtual ceremony online, and, man there were a lot of them.
No, we’re not being snarky, we’re being honest. Similarly, we’re being honest when we say that all the nominated scripts were superbly written by true artists, and the winners were, when you get down to it, just a teeny-weeny bit moreso.
THE USUAL NOTE FROM LB: From the summer of 2002 to the spring of 2010, Gwen the Beautiful and I were the proud and often exhausted owners of a beautiful Ozarks property we called Cloud Creek Ranch.
In many ways, the ranch was paradise. But it was a paradise with a price that started going up before we even knew it existed. Here’s another Monday musing about our adventure and the lessons we learned.