POWER Creator-Writer-Producer Tells How It Came to Be

Courtney Kemp has caught the brass ring with her Starz series, and here’s her insightful take on her carousel ride:

Sensational pic by Meron Menghistab
Sensational pic by Meron Menghistab

by Rawiya Kameir

When the second season of Power aired last August, more than 4.4 million people tuned in to find out what twisted direction the crime drama would take. That number — double the viewership recorded for its debut the previous year — was a record for Starz, a cable network whose flagship original series is a historical time travel show set in the Scottish Highlands. Power, by impressive contrast, is a glamorous guns-and-gangs procedural set across New York City clubs, penthouses, and outer boroughs, played out through the web of its characters’ messy relationships and ambitions.

It was created by first-time showrunner Courtney Kemp, a former GQ writer who left journalism and transitioned into TV, eventually spending several years writing for the beloved CBS drama The Good Wife. Notably, the show is co-executive produced by 50 Cent, who stars across Omari Hardwick as a grimy antagonist. Season three of Power returns to Starz on July 17; ahead of its premiere, we talked to Kemp about empathy, race, and the American dream.
This is your third year with the characters of Power. How do you continue to treat them with empathy? How do you bring that consideration into the writers’ room? read article

Great Writing Created THIS!

Funny stars, skilled direction, but it’s the writing that makes this very welcome re-teaming of Jon Stewart and Stephen Colbert work. Watch and listen and learn!

Confessions of a Writing Snob?

Who here is the real snob?
Who here is the real snob?

by Lew Ritter

Many years ago, I attended a screening of the movie “Working Girl” with Melanie Griffith. At the end of the movie, I watched the end credits. I saw the name of the screenwriter. I told my friends that someday, my name would be on the beginning credits of one of those movies. They snickered and humored me. Dream on, they said. And so I did.

I have been enamored with the idea of writing TV or movie scripts since my college days. Somedays,

I would think about how great it would be to stand on stage making an acceptance speech for writing Best Screenplay. The readers of these columns TVwriter and dozens of other blogs like L.A. Screenwriter, OnStory.TV etc. are all about learning the ins and outs of the entertainment business. read article

Diana Vacc sees “The Legend of Tarzan”

Tarzan is so cool!
Tarzan is so cool!

by Diana Vaccarelli

*If you haven’t viewed this episode yet be warned this review may contain spoilers!*

For years Hollywood has been telling the story of Edgar Rice Burroughs’ immortal (literally, thanks to a shaman’s magic potion) Tarzan, and The Legend of Tarzan continues the tradition. Part sequel and part reboot, this version tells the story of a John Clayton aka Tarzan who has left the jungle and now is called back to investigate enslavement of the natives in the mines of the Congo.

THE GOOD: read article

WGAW Wants Submissions for 2016 Feature Writer Access Project.

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by TVWriter™ Press Service

Gather ’round, TVWriter™ visitors, because TVWriter™ has received a press release we can’t wait to share:

We are now accepting submissions for the 2016 Feature Writer Access Project. The project seeks to identify outstanding minority, female and age 60+ writers and make their scripts available to We are now accepting submissions for the 2016 Feature Writer Access Project. The project seeks to identify outstanding minority, female and age 60+ writers and make their scripts available to entertainment industry decision-makers, including producers, studio executives, agents and managers, in order to help raise their profile and generate potential employment opportunities. This program is modeled on the success of the TV Writer Access Project for Mid-Level Television writers.

PLEASE NOTE: At the time of submission, a Project participant must be a Current Active (including Lifetime Current) or Post-Current Active member of the WGAW. If submission is made by a writing team, both writers must be Current Active or Post-Current Active members of the WGAW. read article