What I’ve Learned as an Indie Producer

by Bri Castellini

Now that I have two complete seasons of Brains online, a short film about to be sent off to festivals, two spin offs of Brains (that I wrote/ co-wrote and helped produce), and my friend Chris’s web series Relativity (that I produced, among other things), I feel confident in calling myself an “indie filmmaker/producer.” As such, I thought I would impart some things I’ve learned in reaching this new level of broke artist, both tangible and intangible.

    1. If you can do it yourself, do it, but also sometimes it’s ok to delegate.
    2. Only delegate after having more than one conversation with someone about what said delegation entails. You cannot expect someone you’ve just met to do things the way you want them to, because you just met them and how are they supposed to know all of your insane rules??
    3. Good audio is worth taking time on/throwing money at
    4. Good audio is the hardest thing to attain with no time or money, but it is more important than almost anything else
    5. Ask for help, even when you don’t think you need it
    6. Be prepared to do everything yourself, but try not to
    7. Always have food available
      1. Bonus lesson: people really like fruit snacks
      Write within your means, but remember that your means can expand the more people you meet Latch on to talented people, continuously thank them for their help, and praise them incessantly so they’ll be inclined to help out again in the future Be nice to everyone. Not only should you do this anyways because common decency, but also because the indie film world is small AF and you can’t afford to burn bridges Don’t start production before you’re ready- a healthy and thorough pre production process will make everything better and smoother at every step. Sometimes you’re going to have to start production before you’re ready. Communication is more important than anything, even audio. Don’t fight on set. Fight after set, then make an effort to fix the problem. It’s not about winning, it’s about effectively solving issues and finishing the project. Press releases are super important. They are also a bitch to write. Reaching out to press is super important too, and it’s the most awkward thing in the world. Create a project-specific, production company-specific, or otherwise seemingly third party email address with which to reach out to press with. This way you don’t have to send emails like “Hi my name is Bri Castellini- please write about me and my show. I am amazing and you should promote me” Learn to say “ok- how?” instead of “we can’t do that/that won’t work.” I’m bad at this but I’m working on it. Schedule people as far in advance as possible, then periodically remind them about it. Have a plan B for everything, from locations to cast/crew. As Kate Hackett once told me on Twitter, “anyone can be written out.” Don’t tell people you didn’t sleep before coming to set until after you wrap for the day. Learn how to do your makeup so it doesn’t look like you didn’t sleep before coming to set. Love what you do Only say yes to things you actually want to do/make Fake it ’til you make it, because no one actually knows what they’re doing so you may as well throw your hat into the ring.

      Bri Castellini is an award-winning filmmaker as well as the Community Liaison at Stareable, a hub for web series. Check out her award winning web series, Brains, and the rest of her stats on IMDB.

      This article was first published on her very informative blog.

Don’t Miss This Screenwriting Community Event

LB and TVWriter™ have a soft spot for ISA.Com, one of the best sites on the web for screenwriters to hang out at.

Last week, the ISA gang joined up with The Script Lab to create what they’re calling “30 Days to a Finished Screenplay.”

So we’re telling you, from the heart, that you’ve really gotta check this baby out! read article

Cartoon: ‘Inspiration’

From God’s pen to our eyes:

Grant Snider and Incidental Comics nail it again! read article

Dennis O’Neil: Iron Fist and the Costume Unseen

by Dennis O’Neil

In peril, poor Polly Pearlwhite plunges from the pinnacle… And I, a superhero, really should fly up and save her and so I shall as soon as I change into my hero garb and… But what is this? I don’t seem to have worn the cape and tights under my Brooks Brothers suit and how could I forget such a thing? Well, come to think of it, I didn’t have my morning coffee and I’ve been Mr. Cottonbrain all day and… Never mind. Sorry, Polly.

So there I was – this is me taking now and not the fictitious person in the previous paragraph – and I’m about to reveal that early this morning, at about one, I finished watching the Iron Fist television serial and can report general satisfaction with it. But during the final minutes of superhero action I wondered if the film makers were going to give Mr. Fist a costume. He had one in the comic books where he first came to life and back when I was editing his monthly biography I regarded him as another one of Marvel Comics’s costumed dogooders, in the same area code as Moon Knight, Spider-Man, Daredevil, The Hulk, et cetera: not as popular as some of Marvel’s output, but clearly of the same ilk.

The show I was watching earlier today ended – mild spoiler-alert, one you needn’t pay much attention to – with Mr. Fist and a companion climbing to the top of a mountain and finding… not what they expected but rather things that must certainly have ruined their day and, not incidentally, provided a hook into another story. That, we will probably be seeing soon. Mr. Fist was wearing clothing appropriate to climbing snow-covered peaks, but it was just clothing, not a costume. read article

Indie Film: ‘Are You Willing?’

And you thought aspiring writers had it bad?!

A film by the amazing – seriously – Erica Rhodes!