Allie Theiss: Daniel Thomsen’s Approach to TV Writing Success – Part 2

by Allie Theiss

Time now for the second part of our conversation with writer-producer Daniel Thomsen of TIME AFTER TIME, WESTWORLD, ONCE UPON a TIME, and other fine TV shows. Making it in Hollywood is hard in itself but isn’t the end of the road. You have to keep your career going too! Danny tells us how he’s handling the challenge:

What path do you recommend a budding TV writer take to get hired onto a show?

I’ve worked in a lot of writers rooms over the years, and if you’re going by the numbers, the vast majority of first-time staff writers get their gigs in one of two ways: They’re promoted from an assistant desk, or they come through a studio program. (Most of the studios have great programs that are designed to help writers from underrepresented backgrounds.) I always recommend that people try to go through one of those doors because that’s the path of least resistance. read article

Larry Brody’s Poetry: ‘Kid Hollywood Died The Same Way He Was Born’

 by Larry Brody

NOTE FROM LB

Ah, back to showbiz at last. But first a few words about today’s title.

Just to  be clear, I don’t really think I’m dead, not in any way . Because from the right angle, with just the proper squint and a frame of mind that encompasses more than we can ever see, it’s pretty clear that nothing ever really dies at all. read article

TVWriter™ Don’t-Miss Posts of the Week – August 21, 2017

Happy Eclipse! Take good care of your retinas because it’s time for TVWriter™’s  Monday look at our 5 most popular blog posts of the week ending yesterday. They are, in order:

Looking for TV Pilot Scripts? read article

Bri Castellini: Dream Bigger – @BrisOwnWorld

by Bri Castellini

A few months ago I did a podcast called The Other 50%- Women in Hollywood, hosted by Julie Harris Walker. As you can probably guess, it was on the subject of being a woman in the entertainment industry (and relentless self promotion). Near the end of the podcast, Julie asked “what’s your big dream?”

“Honestly, just to be able to support myself with my art.” I told her. “Whether that’s in the independent sphere, creating my own production company and running it like that, or getting to be a staff writer or a showrunner on a TV show. I want to be able to not have a day job, to not have to worry about side hustles and freelancing and stuff like that. To be able to say ‘I am a professional filmmaker’ and be able to live a simple existence.”

After a pause, she responded “You can dream bigger.” read article

Web Series: ‘The Stand’

The perfect web series for Trump’s America?

Or the hipster’s best friend?

Where would you place The Stand in the lifestyle spectrum? read article