THE STORY (direct from Wikipedia, so you know it’s accurate and not just yer friendly neighborhood munchero messing about:
Heidi Bergman is a caseworker at Homecoming, a facility that helps soldiers transition back to civilian life. She leaves Homecoming to start a new life living with her mother and working as a small-town waitress. Years later, the Department of Defense questions why she left, which makes Heidi realize that there’s a whole other story behind the one that she’s been telling herself. Oscar winner Julia Roberts stars as Heidi in the first regular TV series role of her career. “Homecoming” is based a podcast of the same name.
- It’s created and written by Mr. Robot’s Sam Esmail & based on a podcast by Micah Bloomberg and Eli Horowitz
- It stars a Big Deal Movie Star named Julia Roberts
- It’s a potentially interesting new twist on the old evil government mind control story
- It’s beautifully shot, possibly the best looking series in the history of TV anywhere in the world (that isn’t shot in a Scandinavian country anyway)
THE NOT SO GOOD:
- No matter how great looking this show is it’s still the same old story with the same not really very surprising at all “surprise” ending
- The dialog has been lauded for its “realism,” which in this case means that is boring as hell
- If the dialog and story aren’t boring enough to put you to sleep long before you finish watching even the first episode of this overrated 10 episode season, the pacing will sure as hell do it for ya
- Did I say it’s beautifully shot? It is, indeed, but most of the shots are so dark and shadowy that I was so irritated at not being able to understand what I was seeing that the beauty didn’t matter. I’m thinking the purpose behind the darkness wasn’t necessarily creative but rather done to disguise how old, bedraggled, and generally unpleasant Former Big Deal Movie Star Julia Roberts now looks
A total waste of time brought to us by Amazon, the company that may have speedy delivery but sure can’t get TV (or film) production right. I know critics are raving about it, but hey, they’re critics, which means that they’re also probably wannabe TV and film writers, which in turn means that their futures are dependent on pleasing not the viewers but the production entities they hope to work for in the future.