HUMANITAS PRIZE Call for Entries

This one’s for all you pros: humanitas-cup-sepia1 =&0=& Sundance Feature Film Screenplay 60 minute Teleplay 30 minute Teleplay Feature Documentary Children’s Animation Children’s Live Action


Eligibility guidelines:

  • No entry fee nor limit to the number of submissions
  • Teleplay must be written and produced in the English language for U.S. Television (Broadcast, Cable, Internet and Satellite)
  • Teleplay must have had a national release on Television (Broadcast, Cable, Internet and Satellite)
  • Feature film screenplay becomes eligible in the year in which it receives a U.S. theatrical release
  • Teleplay or film must be aired or released January 1, 2016, through December 31, 2016

Click HERE to submit.  Please help us celebrate what is right with television and film.

To learn more about the HUMANITAS Prize, please visit our website at http://www.humanitasprize.org read article

Writers Guild of America West Board of Directors Election News

voting

wgaw-2016-election

WGAW Wants Submissions for 2016 Feature Writer Access Project.

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by TVWriter™ Press Service

Gather ’round, TVWriter™ visitors, because TVWriter™ has received a press release we can’t wait to share:

We are now accepting submissions for the 2016 Feature Writer Access Project. The project seeks to identify outstanding minority, female and age 60+ writers and make their scripts available to We are now accepting submissions for the 2016 Feature Writer Access Project. The project seeks to identify outstanding minority, female and age 60+ writers and make their scripts available to entertainment industry decision-makers, including producers, studio executives, agents and managers, in order to help raise their profile and generate potential employment opportunities. This program is modeled on the success of the TV Writer Access Project for Mid-Level Television writers.

PLEASE NOTE: At the time of submission, a Project participant must be a Current Active (including Lifetime Current) or Post-Current Active member of the WGAW. If submission is made by a writing team, both writers must be Current Active or Post-Current Active members of the WGAW. read article

Jeane Wong wins 1st Universal Cable Productions Pitch Fest

by TVWriter™ Press Service

jeane-wong-jpegProving that some execs really do know their shit a good thing when they see it, Jeane Wong, a script coordinator for ARROW and a 3rd Place Winner in TVWriter™’s 2014 Spec Scriptacular and Semi-Finalist in the 2014 People’s Pilot is the overall winner of Universal Cable Productions’ first Pitch Fest.

UCP recently opened its doors to undiscovered storytellers looking to pitch the next great television series to studio executives. Dubbed “Pitch Fest,” the first annual event attracted more than 500 submissions, with 22 finalists given 10 minutes to pitch their idea to UCP’s development team. The winning pitch, “The Thin Line,” was submitted by Jeane Wong and is slated for development later this year.

Wong is a graduate of UCLA with a degree in English literature. She was a semifinalist in Disney’s ABC Writing program and is an alumna of the Producer’s Guild Workshop. Her winning submission, “The Thin Line,” is a revisionist history series set in present-day America where segregation still exists after an unsuccessful 1960s civil rights movement. Against the backdrop, a man goes undercover for the FBI, setting himself on a collision course with his estranged brother, who happens to be the leader of a violent underground group. read article

Top UK Showrunner Anthony Horowitz: ‘This is the golden age of TV’

Anthony Horowitz’s name is as well-known as any TV writer’s name can be – in the UK where he has written and produced some of the best written and most popular police procedurals in the history of British TV. We’re talking about Foyle’s War, Collision, Midsomer Murders, and many more. The article below gives us a chance to go beyond the usual puffery and actually learn a bit about the mindset it takes to succeed as a major TV force in any country:

Anthony Horowitz
Anthony Horowitz

by Tim Masters

As its title suggests, New Blood endeavours to offer a fresh journey along the well-trodden path of TV crime drama.

But even an experienced writer like Anthony Horowitz admits it wasn’t easy making fraud a sexy subject for the small screen. read article