Writer-Creator of ‘The Wire,’ David Simon, Speaks Out About What’s Wrong with Agency Packaging

Yeppers, kids, this is another post derived from the current contretemps between the Writers Guild of America and the Association of Talent Agencies.

We’re bringing it to you because you and all of us at TVWriter™ are writers with a huge stake in the outcome of this negotiation. Read and learn, and it’s okay with us if, while learning, you also get angry. David Simon sure as hell is:

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Gerry Conway on Today’s Headlines (and the Writing Thereof)

by Gerry Conway

Let’s take a moment to think about how unusual it is that this balls-related headline from a major national magazine isn’t all that unusual these days.

Anyone who’s heard me crack wise inappropriately knows I’m no stranger to jokes my mother would have thought were in terrible “bad taste,” so I’m not saying I’m shocked or find balls-related humor offensive. On the contrary, I think the image conjured by that headline is hilarious. But seriously…can you imagine the Vanity Fair of ten years ago, or even five years ago, running a headline like that on its online site? read article

John Ostrander: World Making 101 for Writers

by John Ostrander

As a writer in fantastic fiction, I sometimes have to create a setting, an environment in which the action takes place – a world. GrimJack, for example, is mainly set in Cynosure, a pandimensional city where the multiverse meets. Cross the street and you may be in a different dimension. Guns work here, magic works there, a sword and a bad attitude works most everywhere. I didn’t create Cynosure; Peter B. Gillis did that in the first WARP special at First Comics. I did, however, use it extensively and defined it.

World making can be fun, frustrating, tedious, exhausting, and a host of other adjectives. Mostly fun. The setting winds up being a character itself in the story; Gotham City is an important supporting character in Batman stories. The Dark Knight really works best against it as a backdrop. When Anton Furst designed the set and look of Gotham for the first Michael Keaton-Tim Burton Batman movie, I remember one thing that was said about the design is that Furst created a Gotham against which a man dressed as a bat looked like he belonged. You can’t stick the Batman in Peoria and make it look right. read article

Gerry Conway on the Superhero Comics Crisis Part 3

NOTE FROM LB: This is Part 3 of a 3 part series. You can find the first part HERE. Part 2 is HERE.

And now, the much-awaited finale:

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Gerry Conway on the Superhero Comics Crisis Part 2

NOTE FROM LB: This is Part 2 of a 3 part series. You can find the first part HERE.

And now, on with the show:

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