A Great Writing Lesson…

…from Ken Levine’s blog, …by Ken Levine:

Ken Levine? Not Ken Levine? Damned if we know

“New Choice!”
by Ken Levine

There was another great exercise for comedy writers in Andy Goldberg’s improv class last Wednesday. This one was called “New Choice!” Two people would do a scene and periodically someone would say something and Andy would interrupt with “New Choice!” The performer then had to devise an alternate line. If Andy wasn’t satisfied he’d again bark “New Choice!” Sometimes it would take two or three lines before the scene was allowed to proceed.

Example: read article

Whatie Looks at Amazon Studios (PART 3)

by Whatie

Amazon Studios offers television writers a different approach to selling their original series ideas. In parts 1 and 2, I looked at what Amazon Studios is. Here in part 3, I am looking at the practical aspects of working with Amazon Studios: namely, how to submit and what they pay.

Amazon Studios wants what any other studio would want: a pilot script and a concise description of the show. For the pilot script, they ask for standard television script format, just the same as you would prepare for any other purpose. For the description of the show, they essentially want a short document that they call a mini-bible, which is nearly identical to the document we in Tvwriterland call the leavebehind. They want a concise description of the premise and characters, a logline, and a list of possible episodes, just like a leavebehind. In effect, submitting to Amazon Studios is a lot like submitting to the People’s Pilot contest.

Of course, there’s the question of money. How much does Amazon Studios pay? We all want to know whether we’ll get a good deal or be screwed if they accept our work! So, here’s the deal: If Amazon Studios likes your series, the first step is promoting it to the Development Slate. That means they have decided to actively pursue your series as a possibility, and their story department gets involved. (This is where you’ll get story notes and the like from the people at the top.) You get $10,000 when they promote you to the Development Slate. Once the story department has done its thing and Amazon Studios has definitely decided to shoot your pilot, you get $55,000 for the series idea and the pilot script. This is in addition to your earlier payment, so your running total is now $65,000. read article

And TVWriter™s Most Popular Feature is…

by Larry Brody

So there I was this morning, excited because our TVWriter™ site stats showed that we’re gaining visitors daily, constantly reaching new highs.

“Way to go, Brode,” I said to myself. “The revamp’s a big success. Looks like we’re doing it right.”

Then I took a closer look at the numbers. Here’s what I saw: read article

Hart of Dixie Season 1 Finale – Recap and Review

BY ANTHONY MEDINA

**This episode originally aired in May 2012. If you are unfamiliar with the series, be aware this review contains spoilers.**

“Believe me, a storm is coming.” – Lavon Hayes read article

munchman: Who’s Afraid of DOWNTON ABBEY?

…The writer of this article, for one. ‘Cuz, you know, if DOWNTON ABBEY wins one or two or a dozen, that’s one or two or a dozen fewer for good ole Ammurican shows:

Somebody’s Brit Granny but not mine

Emmys 2012: How ‘Downton Abbey’ might affect the drama races
by Rick Porter

When the Emmy nominations are announced on July 19, you’ll probably see quite a few repeat nominees. It’s what the Emmys does, to a large extent, and as discussed previously, it’s unlikely that any new shows not named “Homeland” will get a bucketful of nominations.

There is one returning show, however, that has the potential to shake up several races: “Downton Abbey.” PBS’ British import is moving from the movie/miniseries field to the drama series categories this year, and it wouldn’t be surprising to see the show come close to matching the 11 nominations it received in 2011. read article